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Atari Multi-Port MIDI Expanders
Exploration
Martin Russ investigates why you might need more MIDI outputs.
Published February 1995
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AV & Photogenics
Amiga Notes
The last four weeks have been pretty hectic for the Amiga community, and Paul Overaa has, of course, been dutifully recording the more memorable events...
Published February 1995
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Buying A PC For Music: IBM, Part 1
Exploration
Paul Nagle puts the case for the IBM PC as a music computer, but admits that not all is sweetness and light.
Published February 1995
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Creative Use Of Your Sampler
Tips & Techniques
Are you forever coming up with the same old 'N-N-N-N-Nineteen' effects on your sampler? do you reach for that jaded Peruvian noseflute sample every time you want a 'really original sound' for your latest masterpiece? Fear not, for top tipmeister Paul Ward is back, with more off-the-wall uses for you to try out at home...
Published February 1995
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How Enhancers Work
Exploration
Exciters and enhancers are often mentioned in SOS, but what exactly do they do to your sound, and how do the various types differ? Paul White explains.
Published February 1995
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Improving Your Studio For Next To Nothing
Tips & Techniques
Paul White reveals a few of his Blue Peter-style secrets, the general aim being to construct something useful in the studio without spending more than a pound!
Published February 1995
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Mastering On ADAT
Tips & Techniques
Those of us who can afford it probably master to DAT, but for the ADAT user, this isn't necessarily the best option, as Paul White reveals.
Published February 1995
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Tortus, Cakewalk & Cataloguing Floppy Disks
PC Notes
Brian Heywood removes his Santa hat, polishes of the last of the brandy butter, and considers what you might need to do to your PC now the new year is upon us.
Published February 1995
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Brian Jackson: EMI Music, Part 1
People & Politics In The Music Business
Part 1: You wouldn't dive into a swimming pool if you couldn't swim, so why do so many musicians seem content to plunge into a music business they know nothing about — and which can be just as hazardous? Songwriter David Bibbey decided to educate himself in the business of music by talking to the people who really matter. EMI Music's Brian Jackson was the first to get the Bibbey treatment...
Published February 1995
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Audio Technica Midnight Blues
Dynamic Microphones
Audio Technica's stylish new Midnight Blues range of microphones represent the company's latest foray into the budget dynamic mic market. Paul White gets the Blues... but is cheered up by the mics!
Published February 1995
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Korg AX30G
Guitar Multi-effects
Korg's new pedal box features a novel pressure pad that lets you change performance parameters while you play. Paul White gets in his annual half-hour guitar practise session checking it out.
Published February 1995
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Kurzweil K2000 v3
Software Upgrade
Long-time Kurzweil K2000 user Paul Ward casts a cautious eye over the latest facelift for his favourite synth's operating system, and is delighted with the results...
Published February 1995
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Quasimidi Technox
Rackmount Synthesizer
Following the success of their Quasar synth last year, Quasimidi have launched the new Technox, aimed firmly at the production of electronic dance music. Paul Ward dons his backwards baseball cap and checks it out...
Published February 1995
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Kurzweil PC88
Performance Controller Keyboard
Kurzweil's new master keyboard combines the features of a MIDI controller with the sounds and feel of an 88-note digital piano. Tim James tickles the ivories...
Published January 1995
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MOTU Freestyle
Sequencing Software
Mark of the Unicorn have taken a brand-new look at sequencing for their latest package, FreeStyle, which is aimed at entry-level users as well as musicians who would rather avoid most of the complexities of MIDI. Mike Collins checks it out.
Published January 1995
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Oberheim Far
Resynthesis Technology (Preview)
Paul White gets a sneak preview of an approach to synthesizer technology that could truly change the face of both synthesis and sampling as we know them...
Published January 1995
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Roland MCR8
MIDI Multi-Controller
Roland's new MCR8 hardware controller seeks to take the strain out of parameter access synth or software editing, by offering you real-time manipulation of any MIDI values from its front panel sliders and knobs. Paul Ward checks it out.
Published January 1995