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The current challenge to reverb designers such as Dave Griesinger of Lexicon is to create realistic algorithms for surround sound. Paul White finds out how he's approached the problem.

Sound On Sound's September 1999 SAE/Quantegy competition offered the fantastic prize of an all-expenses-paid recording session in a New York studio with a top producer. Tom Flint talked to the lucky winners to find out how they put their winning demo together — and found out how producer Nicky Graham transformed it into a potential chart smash.

Dave Shapton explores the consequences of new, media-independent formats for music distribution and reproduction.

I have a brick shed out the back of my house which measures 10 feet by 8 feet inside, and I would like to make a little...

For my next project, a theatre musical, I am currently writing MIDI backing tracks in Cubase, which will then be...

Fitting hardware upgrades to your PC should be comparatively easy, but sometimes not everything goes according to plan. Martin Walker guides you through the pitfalls.

Not all Atari programs are completely serious. This month Derek Johnson discovers one that could give your band a name and a lot of laughs.

Although MIDI + Audio sequencing packages on both Mac and PC are becoming ever more powerful, 'the timing was tighter on my Atari' is still a common complaint. Paul White looks at ways of tightening it up, with additional PC information by Martin Walker.

Running out of processing power is a frequent source of frustration for those working with computer-based digital audio. Martin Walker tackles some common queries about how to avoid it.