EUGENE ROMAIN: Gear Lust
SOS reader Eugene Romain frankly faces up to the embarrassing problem of gear lust, and asks: do we really need the next 'big thing'?
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SOS reader Eugene Romain frankly faces up to the embarrassing problem of gear lust, and asks: do we really need the next 'big thing'?
A record producer's career is seen as glamourous and exciting, but what does the job actually entail? Over the next few months, David Mellor will be talking to top producers about the whole process, from initial concept to final pay cheque. This month he looks at the different types of record producer in the music business.
During a fleeting visit to SOS headquarters, Paul White managed to soften up DOD/Digitech's Product Development Manager, Randy Thorderson, with a tasty curry before pumping him for info about products and future developments.
Over three years, Towering Inferno (led by core duo Andy Sanders and Richard Wolfson) engaged the services of over 50 performers to produce their self-financed opus Kaddish — described by Brian Eno as " the most frightening record i have ever heard!" peter jones charts the development of this ambitious project.
London's famous Turnkey music store was recently completely redesigned to offer instant hands-on access to virtually every major product in stock. SOS checked out the new facilities.
Mark J. Prendergast catches up with ace remixer/musician William Orbit to learn of his newfound passion for classical music.
Buying your first synthesizer can expose you to apparently meaningless technical specifications, conflicting advice, and overwhelming technical jargon. Confused? You won't be, after reading Derek Johnson & Debbie Poyser's plain English guide to making the right choices.
Martin Russ continues his look at computer busses and reports back from the recent Apple Expo show.
There's more to gating than just getting rid of unwanted noise: the humble noise gate is capable of truly creative studio trickery. David Mellor reveals some of the unusual uses for your Drawmer DS201, but if you don't own a DS201, don't despair: these tips can be adapted for most good quality gates.
Following the demise of the Windows MIDI Mapper under Windows '95, Brian Heywood considers ways of setting up alternative MIDI patch maps on your PC, and looks back on his personal favourite products of 1995...
Having come a long way from its humble beginnings in the early n-n-n-n-nineteen eighties, sampling is now an integral part of music making. Paul White explains what samplers do and how they can be used.
A true understanding of any piece of studio gear only comes after using it for months, or even years. 1995's Reader Survey suggested that more features would be welcome from people with such 'Long-term' gear experiences, so, in the first part of this occasional series, Janet Harniman-Cook reveals the truth about her PC sequencing and digital recording setup.
Paul Overaa goes behind the scenes at Tangent Music and discovers a rather unusual Amiga connection...
Noise reduction comes in various guises, with Dolby alone offering five different systems. Paul White explains the difference between Dolby, dbx and a bag on your head...
The information superhighway, the 'Net, you name it, the hype just goes on and on... Ofir Gal finds out how music-making Atari users can join in the fast lane.