SOUND ON SOUND
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Demand is continuing to grow for training courses in sound engineering and in the business of modern music. Derek Johnson & Debbie Poyser explore some web-based information sources to help you decide which course is for you.
I was intrigued by the Freeverb plug‑in mentioned in June 2000's Net Notes, so I downloaded the DirectX version...
I have a Yamaha SW1000XG soundcard and, even though it's one of the best audio/MIDI cards around in my opinion, it doesn't...
Many home-studio users are moving from systems based around a simple analogue mixer to MIDI + Audio sequencers. These packages include 'virtual' mixer surfaces that can be somewhat daunting when compared with basic hardware mixers. Paul White explains some of the differences and smooths the upgrade path...
Somebody told me that the quality of CD media and the software package used to burn them can affect the sound quality of a...
I am trying to recreate similar drum sounds to those used on Michael Jackson's 'Billie Jean' — the snare is tight...
Bitheadz' Unity DS1 is one of the best-established software samplers, and the latest incarnation offers several major new features, including DirectConnect support for use with Pro Tools. Derek Johnson and Debbie Poyser sample its delights.
We looked at Cedar's three Series X audio-restoration processors last month. This issue sees Hugh Robjohns correcting his azimuth and removing his buzzes with the two latest additions to the company's catalogue...
Spanish loudspeaker manufacturer DAS have launched two nearfield monitors with more than a hint of luxury about them. Hugh Robjohns sits back and listens...
There is a vast array of digital converters on the market, but relatively few offer 96kHz capabilities, and fewer still provide built-in sample-rate conversion. Hugh Robjohns checks out the latest offering from Digital Audio Denmark.
It would take a lot to convince your average engineer, producer or programmer to abandon their trusty hardware sampler, but Creamware may finaly tip the balance with their new PCI sampling card. Martin Walker never says 'never' again...
We turn our attention to the effects that can be achieved when subtractive synthesis components are applied not to the output from oscillators, but to real-world sounds — such as human speech.
It's unusual for SOS to look at CD players, because, although most of us own at least one, they are usually...
If you have even a modest studio, your wall sockets and floor are likely to be festooned with wall‑wart and line‑...
Style-generation software Band-in-a-box is one of the many still-thriving music programs that started life on the Atari. These days, it's very much a home in the latest Mac- and PC-based studios, as Vic Lennard and Martin Walker discovers.
Though high-quality, real-time pitch-shifting is now becoming a reality, this technology comes with a high price tag. Many musicians will therefore continue to rely on offline processes to carry out pitch and timing manipulations. Derek Johnson and Debbie Poyser do just that, with Prosoniq's Time Factory...
Paul White auditions Quested's new active nearfield monitors and discovers there's no baby booming going on here.
Roland's new flagship VS workstation again raises the stakes in the all-in-one hardware market, but has it raised them enough to rival the success of the 1680? Mike Senior finds out.
Roland's JV1080 and 2080 have become the bread-and-butter sound sources for innumerable MIDI studios worldwide. Now the company have introduced their successors in the shape of the XV-series. Derek Johnson and Debbie Poyser test the new XV3080.
SEKD pioneered the development of 24-bit/96kHz soundcards for PCs, and their lead has been followed up enthusiastically by other manufacturers. Does the new Sienna have the features to take them back to the top of the pile? Martin Walker finds out.