SOUND ON SOUND
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Martin Walker grumbles about long-winded install routines, and guides you through a few ways to check your system files and Registry for problems.
Antares' latest plug-in can, it is claimed, alter a recording made with one model of mic so that it sounds as if it was done with another. But can you really make any budget mic sound like a high-end classic? Paul White investigates.
Digitech's RP21D, with its digital output, is aimed at both studio and live use. John Walden joins the digital age...
Korg's longstanding OASYS synthesis project has finally come to commercial fruition. The original plan, to produce a traditional stand-alone synthesizer, has given way to a computer-based synthesis and mixing environment running on a multi-DSP PCI card. Simon Trask takes refuge with the OASYS PCI...
Kurzweil have always enjoyed a reputation for manufacturing high-quality workstations — their latest, the K2600, is reviewed this month. But back in the late '80s, this reputation was founded only on their impossibly expensive K250. David Etheridge explains how the 1000-series put them on the map...
![Figure 9: [top] Amplitude Modulation of Signal 1 by Signal 2. Figure 10: [bottom] The harmonic spectrum of the waveform in Figure 9.](https://dt7v1i9vyp3mf.cloudfront.net/styles/teaser_large/s3/imagelibrary/s/synth9_10-bXq4UpZUMH9toL2LbnyGFvUzcrYZRCTp.gif "Figure 9: [top] Amplitude Modulation of Signal 1 by Signal 2. Figure 10: [bottom] The harmonic spectrum of the waveform in Figure 9.")
Last time, we examined the concept of modulation at low frequencies. This month, we speed things up a bit. The result is not just faster versions of the same modulation effects, but a new type of synthesis...
Until now, the only implementation of Waldorf's wavetable synthesis with a built-in keyboard was their pricey Wave megasynth. Now, however, they've repackaged their more affordable Microwave XT in an attractive keyboard unit.
Digital mixers may have become fashionable in recent years, but analogue consoles still have a lot to offer. Hugh Robjohns takes a look at a high-spec, mid-budget in-line console from newcomers Audient.
Even the most die-hard analogue synth enthusiast must recognise the advantages to be gained by integrating their voltage-controlled gear into a MIDI environment.
To mark 35 years in the business of audio design, Oram have launched a special limited edition 'Hi‑Def' equaliser. Hugh Robjohns tries out this attractively priced derivative of the famed HDEQ2.
The long-awaited Omega 8 promises much, even if its feature-set is not yet complete. Gordon Reid takes a first look...
Fancy doing some hard disk recording on your computer without using a soundcard? Martin Walker looks at an intriguing combination of mixer and USB interface that could let you do just that.
TC Electronic have upgraded their already impressive Finalizer mastering processor to include a number of new features, most notably 96kHz capability. Hugh Robjohns finds out if it's still at the top of the tree.
Capable of handling both mic or instrument signals, TLA's new dual-channel, combined solid-state and valve preamp aims to offer super high-quality preformance at an average price. Paul White assesses their double vision.
In Part 1, author Gordon Reid told us how he found one of the world's rarest synthesizers in Australia, and of the trouble he went to to get it home. In Part 2, he explains what it is about the Yamaha GX1 that made it all worthwhile...
Two successful new producers from New Zealand have used a unique blend of old and new technology to create two hit albums for the Stereophonics. Mike Senior talks to Bird & Bush about their role in a British rock & roll success story.
In these days of sampling, DSP and physical modelling, you might think that building your own electronic instruments would be a daunting prospect. According to Reed Ghazala, however, it's a piece of cake — you don't even need to know how they work. Sam Inglis finds out more.
Line 6 have released two DSP-based effects pedals that use physical modelling to recreate the echo, delay and modulation treatments of a bygone age. Paul White — who was there first time around — finds out how they measure up to the real thing.
British company Red Sound Systems are known for their innovative DJ products. Now, in the shape of the Dark Star, they've produced their first synthesizer. Wing Commander Paul Farrer warms up the engines and takes it out on its maiden flight.
Paul White checks out TC Works' Spark, a Swiss Army knife of a Mac editor that takes an entirely new approach to the use of VST plug-ins. It also offers sampler support and MP3 file creation, and its effects section can even run within other VST- and MAS-compatible software.