SOUND ON SOUND
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In the final part of this series, Oli Bell gives you some practical tips and tricks on looping, re-grooving and time-stretching.
The final stage of production - turning your mixes into a finished CD - requires some specialised tools. Martin Walker runs through the options and considers how best to set up and use the necessary PC software.
Paul White shows you how to get that massive dance sound. Additional material by Mike Senior.
Big George's continuing mission: to seek out new codes of practice and fairer methods of distribution, and to boldly say what no-one has said before...
SOS's resident MOTU expert Robin Bigwood looks at ways of working with audio loops in Digital Performer, and hands out tips on using Propellerhead's Rewire to interface DP with software synths.
With the advent of the new iMacs with CD‑RW drives, I wondered if it would be possible to run Logic to...
I need a recommendation, or advice at least on choosing a soundcard. I want to work with both audio and MIDI. At some...
I am having problems controlling all the noise generated by the equipment on my desk. I have two Roland VS1680...
I want to get into record producing as a career. So far, I have contacted a local studio that is allowing me to come in...
I would like to know how sequencers actually work. I am considering buying one, but am not sure which to go for. Initially...
In Simon Price's recent series [Pro Tools Explained, SOS February‑April 2001], he mentioned that in order to...
I'm trying to find a diagram of a Schroeder Diffuser but cannot locate one anywhere. I've found references for them on...
A large-diaphragm Audio Technica condenser mic, with shockmount, for less than £200? Paul White rubs his eyes and believes his ears.
Behringer's take on the desktop amp modeller adds a new twist - rotary shaft encoders with LED displays. Paul White approves...
A great lead vocal sound can make all the difference between an average demo and a potential single. Paul White and Mike Senior answer some of your questions on vocal recording.
Paul White turbocharges his Mac in the never-ending battle to load up bigger and better plug-ins.
Fostex's new digital mixer sports ADAT I/O and a feature set which belies its price. Derek Johnson & Debbie Poyser trip the lightpipe fantastic.
Emagic's Waveburner CD-writing package has grown to incorporate new editing features and powerful plug-in support, but retains its intuitive user interface. Paul White tests the new, improved version.
MOTU's good-sounding, competitively priced audio hardware has won them a lot of friends in the project-studio and professional arenas. The latest addition to their range is a 12-channel interface that offers 96kHz, 24-bit recording. Robin Bigwood tests the 1296.