SOUND ON SOUND
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John Walden introduces the email discussion list — one of the most valuable resources for information, advice and opinion.
Martin Russ joins the Blue & Whites and examines the goal of all-software music creation. Steinberg Rewire; MOTU Digtital Performer v2.6.
Recording a choir on location presents a number of unique technical and artistic challenges. Hugh Robjohns describes how he approached a recent project.
Many musicians are still debating whether to upgrade to Windows '98. Martin Walker reports back on a year of using Microsoft's latest operating system for consumers.
There are some fine bargains to be had in the second-hand equipment market — but there are plenty of pitfalls too. Debbie Poyser & Derek Johnson offer a guide through the maze.
'Digital loudspeakers' have been available in the hi-fi world for many years, but Genelec have now brought the technology to the home studio market. Hugh Robjohns tries out their new small active monitors and subwoofer.
Power amps are rarely seen as glamorous, but remain a vital part of the audio chain. Martin Walker tries out a well-specified model from Hafler.
Paul White tries out a JoeMeek product that, for once, isn't entirely green — but finds there's still a lot for the competition to envy.
The Quantum from Dbx is the latest entrant into the growing market for all-in-one digital mastering boxes, offering competition to the likes of TC Electronic's Finalizer and Drawmer's Masterflow. Hugh Robjohns finds out how well it stands up in this illustrious company...
The updated compact mixers in Mackie's VLZ range may look the same as ever on the outside — but inside lurk new, high-grade microphone preamps. Hugh Robjohns tries out the new design.
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Having dealt last month with the concepts of envelopes, oscillators and LFOs, Gordon Reid moves on to the subject of filters, and the havoc they wreak on the signals that pass through them.
Sue Sillitoe talks to one of the most influential British record producers of the '90s, Stephen Street — the man behind a string of hit albums for the Smiths, Blur, The Cranberries, Catatonia, Sleeper, Shed Seven and many more.
The release of a new album by ex-Genesis guitarist Steve Hackett is usually a cause for celebration amongst his substantial body of fans. Paul Ward talks to him about the making of his latest, Darktown, and wonders whether it might find him an even wider audience....
Is it a synth, a sequencer or a sampler? The answer to all three questions is an emphatic 'yes', as Paul White finds out when he takes the E4XT Ultra into his studio.
Having decided to construct a studio for their own use, Damon Albarn of Blur and his collaborators Tom Girling and Jason Cox chose to create an environment as unlike a typical commercial studio as possible. And then they fitted it with perhaps the most bizarre assortment of equipment ever collected together...
The Hafler brand name has been around since the '70s but isn't yet well known in the UK project studio market. All that could be about to change, courtesy of the TRM range of nearfield active monitors and subwoofers. Hugh Robjohns mixes and matches.
Jomox's Xbase 09 was a clever and eye-catching modern alternative to an expensive vintage Roland TR909 drum machine. Now the Xbase sounds, plus more, are back, in a rackmount module designed for those who prefer to program drum patterns using their own sequencer. Chris Carter airs a few opinions.