SOUND ON SOUND
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Paul White highlights the major features in the new version of Emagic's Logic sequencing software.
Fostex pioneered the project-studio multitrack with reel-to-reels like the R8 and, more recently have also been quick of the mark in introducing digital recorders. Derek Johnson reviews the latest addition to the latter range.
The increased headroom and dynamic range afforded by 24-bit recording can be a boon, but until now its cost has put it out of reach of many. However, this looks set to change with the latest cross-platform release from Gadget Labs. Martin Walker looks and listens to the Wave/8:24 on his PC.
A new system from Alesis offers ADAT users the best aspects of both tape and hard disk, allowing them to copy material from an ADAT to a computer for editing, then fly it back to tape with single-sample accuracy. Paul White puts it to the test.
Paul White tries out a rather unusual effects collection from Behringer's new budget box of tricks.
Almost three years after he took over this column, Derek Johnson takes an opportunity to look back at some of the excellent music and audio software covered in over 30 instalments of Atari Notes.
Antares Auto-Tune is a powerful pitch-correction tool which is already an industry standard for tightening up vocal performances. As Paul White explains, however, it has the potential to do much more...
Martin Russ looks at the musical suitability of Apple's latest portable computers, and the possibilities that may be opened up by their rumoured 'Consumer Portable'.
BSS are well known in the live sound market, but some of their well-specified gates, EQs and compressors are equally at home in a recording environment. The DPR944, for example, has two gates and two parametric compressors, with independent ins and outs. Hugh Robjohns is impressed.
Big George Webley has survived as a media composer for over a dozen years. He learned the following lessons the hard way; you get them free!
We move on from discussing the harmonic components of sound to explaining how they change over time, and some of the tools subtractive synths give you to emulate this process.
In all the fuss about last month's launch of the Triton keyboard, you'd be excused for having overlooked Korg's other new products — the diminutive Electribe EA1 synth and ER1 beatbox. As Chris Carter discovers, you won't be able to ignore them for long...
The first of Roland's eagerly awaited digital mixers, the VM3100 is an obvious spin-off from the mixer section of Roland's VS1680 digital multitracker. But it still packs a lot of functionality into a tiny space — and the basic version is the cheapest digital mixer yet!
We check out Tannoy's contender in the low-cost active studio monitor stakes.
British-based Australian Barrington Pheloung is well known for his prolific film and television work, including the theme music to TV's Inspector Morse. One of his most challenging recent projects was the soundtrack to the biopic of Jacqueline Du Pre, Hilary And Jackie...
After many years of planning, Rick Wakeman has succeeded in putting on a show that is a worthy successor to follow his theatrical '70s son et lumière extravaganzas — Return To The Centre Of The Earth. Paul Ward was present as production of the album of the story neared completion at CTS Studios in London.
Specialist high-end equipment manufacturer Millennia Media have produced an innovative dual-channel parametric equaliser with a difference — user-selectable valve or solid-state circuit topologies. Hugh Robjohns investigates.
Now that more computers are equipped with Universal Serial Buss connections, musicians have started to demand compatible peripherals. Martin Walker tries out one of the first to arrive, a simple interface dedicated to piping digital audio in and out of USB machines.
Plug‑in pack: Mac/PC, all formats; TDM and Mac stand‑alone versions also available
Reviewed: PC...
PC DirectX only
Cakewalk's FX3 Soundstage is, in essence, a reverb, but that description...