Colin Newman: From Musician To Record Label
Colin Newman discusses taking the step from being a musician to being the proprietor of a record label.
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Colin Newman discusses taking the step from being a musician to being the proprietor of a record label.
On a windswept February day in Blackpool, scores of Kraftwerk fans gathered to swap notes, watch probably the only Kraftwerk covers band in the world and generally party, while paying homage to one of the most influential electronic bands of our time. Convention organiser Paul Wilkinson brings us this report.
Richard Rothman doesn't own a studio, can't play an instrument and keeps as far away from computers as he can. Nevertheless, he has been involved in the production and promotion of some very successful independent record releases. How is it done?
Mike Lethby takes a look at the background to Soundcraft's popular Going Live series of live sound short courses, and gives a run-down on the events planned for the next course, taking place at the University of Manchester at the end of April.
Paul White returns stirred but unshaken from the NAMM '94 exhibition with a brief overview of the products that most caught his attention.
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Greater reliance on hi-tech instruments in the studio means there's more demand for people able to programme them. Paul Gilby spoke first to Karin Clayton about her recently formed agency that supplies programmers for studio sessions, and then to Fairlight programmer Simon Lloyd about his work.
Two men, a girl and an electrical appliance meet under strange circumstances in the Swiss Alps. Ted Fletcher reports.