SOUND ON SOUND
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Plug‑in pack: Mac/PC, all formats; TDM and Mac stand‑alone versions also available
Reviewed: PC...
PC DirectX only
Cakewalk's FX3 Soundstage is, in essence, a reverb, but that description...
Originally designed by SOS author Craig Anderton as a DIY hardware circuit, Spectral Design have now turned this into a software plug‑in. Unlike most other distortion effects, it splits the signal into four frequency bands and distorts each one individually.
TC Native Bundle 2.0 can now be seen as roughly equivalent in scope to Waves' Native Power Pack, or as a high‑end version of their own Native Essentials bundle...
Mac Audiosuite, Premiere, VST, MOTU / PC VST and DirectX; TDM version also available
Reviewed: PC VST...
Features like software synthesis, frequency-domain editing and resynthesis seem impressive when modern sample editors incorporate them — but they were the stuff of myth when Steinberg released Avalon nearly 10 years ago. Paul Sellars chronicles an Atari legend.
If you've ever put together a home studio, you'll know that no matter how many wall sockets you get installed, or how many 4...
Nicholas Rowland plumbs in a couple of handy studio tools from the other side of the globe.
Terratec's EWS64 XL caused a stir in the world of soundcards last your by offering a built-in 64-note polyphonic sampler. The new XXL now adds the internal organs of Waldorf's classic Microwave XT synth. Martin Walker decides whether these impressive parts make a convincing whole.
Derek Johnson looks at a new baby hardware sequencer and GM/XG synth from Yamaha.
Blanket coverage in the music press and wall-to-wall radio play have made Gay Dad the hottest new band in the UK. Matt Bell talks to singer Cliff Jones and producer Mark Frith about the recording of their second hit single, 'Joy'.
Commercial singles and albums are incorporating ever-more-sophisticated interactive audio and visual content, often using the Enhanced CD format. Janet Harniman-Cook starts this two-part feature with a look at how the format is being used by record companies, and the possibilities that are open to independent musicians.
Paul Nagle meets another reader and investigates their home studio.
Few people can truly be said to be multi-talented, but jazz and soul legend Marcus Miller is undoubtedly one of them. Paul Tingen talks to him about his approach to making and recording music, and looks inside his Camel Island studio.
A few years ago, dedicated drum machines seemed in danger of extinction — but now they seem to be undergoing something of a renaissance. Derek Johnson gets hands-on with the latest addition to Boss's Dr. Rhythm range.
The way you use effects and processors can make or break a mix. Paul White offers 20 useful tips to help you get it right first time.
Up to 30 percent of SOS readers are planning to buy a CD recorder this year, so clearly many of you have designs on making your own album. Paul White talks you through the process of compiling an audio album on CD-R using a stand-alone CD recorder fed from a DAT source.
Computers have always been important in the hi-tech studio for sequencing and, latterly, recording audio. They can, however, be equally useful for publicising and distributing your music, if you're connected to the Internet. Mike Simmons explains the basics of setting up a web site from a musician's perspective.
Algorithmic music generators can produce unique and unexpected results, and now Atari users can try out a well-programmed example, Charming Chaos from Electronic Cow, for just £15. Derek Johnson explains a little Chaos theory...
Downloadable music is on the move in more ways than one, with new developments in portable players and online delivery streaming onto the scene. But what do all these changes mean for musicians? Simon Trask assesses the situation.