SOUND ON SOUND
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Over the last 30 years Tony Platt has engineered and produced albums by some of the biggest names in music, from rock to reggae. Tom Flint talked to him about his days at the pioneering Island Studios, his work with the legendary producer Mutt Lange and his vision of the future.
I'm trying to set up my digital recording system so that I don't have to do any repatching. I'm using a Wami Rack 24 audio...
I've been DJ'ing (trance and hard house music mostly) for two years. I've done countless small gigs and several fairly...
Simon Price concludes his three-part series on Digidesign's flagship recording system with some power-user hints and tips.
I would be very grateful for your advice on what I need to burn CDs from my Mac G4/Digi 001/Pro Tools LE setup. I have...
Until now I have been using a normal domestic cassette deck to make master copies of my recordings. The results are not...
I have a small digital studio (Roland VS880 8track recorder/mixer, sampler, synth, etc) and am looking for some...
Can you help me find a good patch editor/librarian for my Yamaha TX81Z 4‑operator FM synth module? I really would...
I need a pair of monitors and like the look of the Mackie HR824s, but would also be interested in the KRK V8s. Do you have...
Martin Walker looks at Intel's new Pentium 4 processor, and catalogues the Cubase 5.02 update debacle.
The Interactive Phrase Synthesizer is one of those parts of Cubase that most of us know exist, but which few have actually used. We take a look at what it can do, as well as offering some handy tips on setting up loops and introducing the idea of controlling your computer remotely...
Hugh Robjohns checks out the new hardware incarnation of Antares' award-winning microphone-modelling software.
Paul Wiffen reports on some historic developments for Mac musicians, as Apple announce their official support for the mLAN interface standard, and also comes to the rescue of more readers seeking advice.
Logic and Cubase owners have had their own dedicated SOS columns for several months — so we're now devoting space to another of the world's favourite sequencers, MOTU's Digital Performer. Long-standing DP user Robin Bigwood presents the first of this regular column.
Mike Senior answers more of those beginners' questions which prove to be not quite as basic as they seem.
We look at the creative potential of Logic's Touch Tracks feature and the corrective potential of the audio fade-in, as well as showing you what 'solo safe' is and why you need it.
The sampler has made its presence felt throughout modern music production, and phrase sampling in particular is the backbone of many musical styles. Oli Bell arms his loop points and explores some tricks of the trade.
The advent of digital television has opened the eyes of many more musicians to the possibility of working on music for picture. John Walden trawls the Net to see what advice is available for those who want to score.
Modern software allows you to turn a spare PC into a synth of sampler that's perfectly tailored to the needs of your studio. Martin Walker tells you how.
This month, Big George starts another revolution, whether you like it or not...