SOUND ON SOUND
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Elizabeth Parker is one of Britain's best-known composers of music for television, and is renowned in the business for her ability to complete projects to the tightest of deadlines. Sam Inglis visits her unique personal studio to find out how she does it...
SOS visits another reader's home/project studio.
There's new and compelling evidence that judges in Germany are bonkers. Dave Shapton explains.
Leading producer Steve Levine recently discovered that a fake Steve Levine has been masquerading as the real thing, to secure work under false pretences. Read on for the rest of this amazing story....
I'm looking for details of any UK companies who build and pre‑configure music PCs from scratch. I'm interested in...
Firstly, I'd just like to say a big thank you for writing the 'Advanced Compression' article that appeared in December's...
I'm having a bit of trouble choosing my MIDI interface for my new G4 Cube. I'm considering either a MOTU MIDI Express or a...
I have been using a Yamaha Promix 01 mixer for some time now. Because inputs 1‑8 are on XLR connectors only, I...
I am currently doing my GCSEs at school and I know that I want to go into the music industry as a producer/recording...
I'm a subscriber and musician with a modest home recording setup. My question — which I'm sure could form a very...
I have Cubase 5/32 and I am looking for very good piano software. I am familar with Black...
As a keen reader of Sound On Sound magazine, and with a great interest in recording techniques, I was really impressed...
I play bass in a rock band, and we would like to add some background sound effects to a few of our songs when we play live...
After recording an album and investing a lot of money into our band, we are now looking for management (and also a record...
I have a problem with a new studio installation that I'm just getting to the point of completing. This is the third time...
Derek Johnson explores a way of creating exotic tunings with your Atari, and recommends a fresh source of shareware and freeware.
Simon Price begins a three-part series designed to demystify that staple of modern music production, Pro Tools. This month, he looks at the various components that make up Digidesign's systems.
Martin Walker buys a new quiet hard drive for audio and looks into ways to eradicate any remaining noise, for a silent PC.
With drum machines and samplers becoming increasingly prominent in music production, mixing real drums is becoming something of a lost art. Paul White explains the basics of this important mixing skill, and shares some secrets on how to get the best drum sound.