SOUND ON SOUND
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Italian firm Generalmusic have made their reputation in the home keyboard market, but their new Equinox is an extremely well-specified professional workstation.
A new studio microphone from Shure is always well worth investigating. Hugh Robjohns checks out the KSM32 cardioid mic.
The latest version of Behringer's Composer dynamics processor appears to provide all the facilities anyone could ask for, with a separate expander/gate, compressor and limiter for each of its two channels.
Last month, Gordon Reid reviewed the babies of the Technosaurus range, the Microcon synthesizer and Cyclodon sequencer. This month, he tackles their (very) big brother, the Selector modular synthesizer...
Waldorf's long-awaited Q synthesizer is now shipping, but without many of the features it will ultimately possess. Gordon Reid takes a hands-on look at what's here now and what's to come.
The piano comes in a variety of forms and is used in many different roles as part of ensembles and as a solo instrument. Many engineers regard the piano as the hardest instrument to record. Hugh Robjohns offers some practical hints and tips for getting the right sound.
Offering an integrated MIDI + Audio sequencer and hardware controller with motorised faders, StudioMix mimics some of the features of high-end digital audio workstations — but at under £800, how good can it be?
JoeMeek combine the old and the new in their opto-electronic analogue compressor with 24-bit digital I/O and M&S signal path. Paul White tries it out.
Designed to interface the Kurzweil K2000/K2500 synths directly with digital recording equipment, the DMTi also has a role as a general-purpose digital format convertor. Hugh Robjohns checks it out.
Midiman have a reputation for niche products at reasonable prices, and their latest, SAM, could do a number of useful jobs in the ADAT-based studio. Bob Dormon makes the connections.
With almost 20 self-contained digital multitrackers on the market, either new or second-hand, it can be hard to decide which one is for you. Debbie Poyser & Derek Johnson discuss the options and round up the available models.
Most MIDI sequencers now include some notation facilities, however, these fall some way short of the needs of the scorewriting professional. Arranger and conductor Mike Crofts checks out one of the few dedicated scorewriting programs.
One of the problems with digital mixers is that they never have enough analogue inputs out of the box. For example, the Yamaha...
Rocktron's PC Preamp is designed to enable mic‑ or line‑level signals to be fed into the line input of a computer...
It's true that too much music sounds predictable and boring, says Ian Stewart, but it's too easy to blame technology the real reasons lie elsewhere.
In order to become a professional music recording engineer, you have to start at the bottom and work up. But in such a competitive business, how do you even get in at the bottom? David Mellor explores various possibilities.
It seems everybody is talking about the millennium bug, but a far greater threat to the operation of our studios is already ticking away inside our effects units and synthesizers. Paul White gives a battery health warning.
Catatonia's rise from indie obscurity to pop dominance seems unstoppable and, with the first single from their new album, they're even targetting Radio 2 listeners. Matt Bell talks to producer Tommy D about the track's transformation from Akai DPS12 demo to Top Ten hit.