SOUND ON SOUND
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Not satisfied with pitching their previous Technox synth fairly obviously at the dance music market, German manufacturers Quasimidi have now gone all out with the in-your-face Raven. But is it capable of techno-by-numbers? Paul Ward climbs aboard and flies into a rave...
The construction might be solid steel, but you don't need the strength of Samson to lift this little mixer, as Paul White discovers.
Mike Collins concludes his look at the available TDM software plug-ins, concentrating this month on those made by third-party manufacturers.
Paul White checks out a signal processor with no knobs, no buttons and no display, designed to add valve warmth to 8-track recording.
Alesis reverbs seem to get ever-more cheap and cheerful. But can low price and simplicity go hand in hand with studio-quality performance? Paul White finds out.
After a hiatus of several years, Yamaha return to sampling with the cheapest, most portable dedicated sampler yet. Derek Johnson coins a phrase...
SOS writer Craig Anderton is all for musical literacy, but sees no benefit in instant gratification.
Disaster strikes! Your most essential piece of gear dies on you mysteriously. What should you do? Take it to the professionals, of course. In the first of a two-part feature, Debbie Poyser and Derek Johnson talk to some of the engineers who service with a smile — and find they have some amazing tales to relate from the inspection pit of the music industry.
To the budding pop star, A&R managers hold the power of life and death — and it's not much easier for the producer. David Mellor explains how to win friends and influence people
The Amiga has a lot of catching up to do if it is to outgrow its past as a games module. In Amiga Magic, however, Paul Overaa finds much to attract the musician.
If you don't have a multitrack but you're keen to start experimenting with recording, good results can be achieved with just a couple of mics and a domestic cassette deck. Paul White shows you how to be a stereo MC...
Paul White concludes this series with a look at phrase and loop sampling, the use of keygroups and mapping, and the use of the modern sampler as a synthesizer.
Paul White plugs into the all-singing, all dancing digital box that can perform graphic, parametric and shelving EQ functions all at once — and even handle real-time room analysis and auto EQ'ing during its quieter moments...
The technology that lets your PC speak can equally well make it listen. Brian Heywood gets all analytical on us...
Most synths now boast an infinite variety of sounds, but what the manuals don't tell you is that you need an infinite amount of time to explore them properly. Paul White suggests some short cuts to synth heaven.
Whatever the reality of Apple's finances, the money men have decided the company is ripe for the picking. But will upsetting the Apple cart produce a windfall for the user? Martin Russ keeps his ear to the ground... Sun Microsystems.
The long-awaited keyboard version of Kurzweil's flagship synth is finally unleashed. Paul Ward nearly falls out of his P-RAM with excitement...
Squelchy as a Minimoog and programmable as a PC, it's time to re-evaluate the Moog Source — so says Stephen Bennett.
Andy Davies casts his eyes, ears and fingers over two new products from Oberheim: a controller keyboard which aims to replace your piano, and an organ module which threatens to do the same with your Hammond...
Several software houses are producing modestly priced programs which take advantage of the audio capabilities fo the Apple Power Macs. The result can be high-quality multitrack digital audio at a suprisingly low cost. Paul D. Lehrman finds he's got the Power...