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P&G 8000 Series Faders
An investigation of the latest offering from Penny & Giles, the Rolls Royce of fader manufacturers.
Published January 1994
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Yamaha QY10
Sequencing Clinic
Craig Anderton's QY10 goes everywhere with him — and he's developed loads of useful short-cuts to help QY10 owners make even better use of this brilliant musical notepad.
Published January 1994
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Alesis Monitor One
Studio Monitors
Alesis are one of the acknowledged leaders in affordable digital recording equipment, but can they compete in the crowded world of studio monitoring?
Published January 1994
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Allen & Heath GS3V
Automated Mixer
This deceptively small console conceals a sophisticated VCA automation system that can be used independently or in conjunction with external MIDI devices.
Published January 1994
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ART FXR & FXR Elite
Digital Effects
If you're looking for instant gratification in the effects department, ART have something that'll do nicely — as Paul White finds out.
Published January 1994
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Big Noise MaxPak V2
PC Software
Steven Helstrip checks out a four-program PC package which aims to cover all the MIDI production bases.
Published January 1994
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Digital Audio Labs cardD
PC Hard Disk Recorder
Wanna record professional quality audio on your PC's hard disk? Brian Heywood investigates the temptingly low cost route offered by Digital Audio Labs' plug-in cardD system.
Published January 1994
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EMS VCS3 [Retrozone]
Analogue Synthesizer
Synthesist Ian Boddy steps back in time to report on the classic British sound machine, regularly found haunting the electronic music departments of many a university, and a recent addition to the author's own sonic armoury.
Published January 1994
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Practical Studio Design: Part5
Room-Within-A-Room Construction
In this final instalment, we present a practical overview of the 'room‑within‑a‑room' principle which is used in the construction of virtually all major studios.
Published December 1993
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Practical Studio Design: Part4
Floors & Ceilings
Having dealt with walls and floors, we move on to the floors and ceilings of the studio, with a view to reducing sound leakage even further.
Published November 1993
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Practical Studio Design: Part3
Building And Improving Walls & Partitions
We turn our attention to uprating studio walls, as well as techniques for building sound‑isolating partitions.
Published October 1993
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Practical Studio Design: Part2
Soundproofing Doors And Windows
This month, we examine doors and windows, the most vulnerable areas when it comes to sound leakage.
Published September 1993
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Practical Studio Design: Part1
The Principles Of Soundproofing
SOS begins an in‑depth series on practical studio design. This month, the emphasis is on measures you can take to soundproof your studio or practice room.
Published August 1993
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Lynett Systems LYNEX Sampler
Mike Lynch-designed Atari ST Sampling System
The division between sampler and digital recorder has grown ever narrower with the release of the Lynex, a sophisticated manipulator of high quality, 16‑bit stereo sounds that piggybacks on to any host Atari ST computer. SOS Editor IAN GILBY takes the mouse by the horns...
Published July 1988
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Dave Meegan: Engineer
Part 1: I Nearly Joined The Foreign Legion!
Engineer Dave Meegan recalls how depression helped land him a plum position at Trevor Horn's Sarm West Studios. Chris Allison listened with great interest.
Published November 1985
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Bokse US-8
Universal Syncronizer
Ian Gilby takes control of the Bokse US-8 Universal Syncronizer.
Published November 1985
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Soundcraft Series 200B
Analogue Mixer
Even though it had no serious competitor quality-wise, Soundcraft's original Series 200 mixer was somewhat lacking in the 'useful features' department. The newly-improved 200B puts all that to rights as Dave Lockwood discovers.
Published November 1985
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HHB CLUE Digital Editing System
Clue Data
Beyond the razor-blade: HHB's innovative CLUE system provides an answer to the digital editing dilemma. Paul Gilby pieces together the story.
Published November 1985
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Time For SMPTE: Part 1
What Is SMPTE Timecode & Why Do We Need It?
Accepted as the synchronisation standard in the television and broadcast industry, this digital timecode is fast making inroads into the recording studio at all levels. Kendall Wrightson puts it all in perspective with the start of this series.
Published November 1985
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Mainframe: Five Minutes...
...On The Making Of Their Video
Always eager to expand their experiences, Mainframe duo Murray Munro and John Malloy talk to Ian Gilby about the processes involved in the shooting of the promo video that accompanied their recent Polydor single release.
Published November 1985