Help For Your Hi-Fi
Just when it seems that you don't have the equipment to do a job, you might find that your hi-fi, combined with a little ingenuity, solves the problem. Paul White explains...
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Just when it seems that you don't have the equipment to do a job, you might find that your hi-fi, combined with a little ingenuity, solves the problem. Paul White explains...
Sixteen-part multitimbrality, 32-note polyphony and a respectable set of GM-mapped Tones join some usable and fun auto-accompaniment, and an absurdly low price tag, in a 'home' keyboard that deserves some attention from the studio musician. Julian Colbeck just wants to have fun...
MIDI song files have come a long way from just being copies of famous hits, as Vic Lennard discovers.
Brian Heywood delivers another concoction of music-related PC news.
Paul White gives some tips on how to get the best out of your computer sequencer without needing a degree in computer science...
When setting up a studio, the temptation is to make do with the existing wiring — but this can lead to problems with hum and interference, as Paul White explains.
Subtle adjustments of your tempo track is a much overlooked way of changing the mood of sequences. Craig Anderton explains how to do it.
Owners of Sound Tools II digital editing systems can now have access to sophisticated techniques for reducing noise on recordings - thanks to the DINR intelligent Noise Reduction software. Paul White loads it up and looks for a quiet life...
Nick Magnus takes a look at the digital incarnation of Dynacord's popular CLS 222 Leslie Simulator.
Hands On Development came into the field of MIDI-controlled lighting very early, with their sophisticated Limetime controller. Now the Starlite offers even the most fiscally challenged the opportunity to add another dimension to a live performance. Martin Russ seeks enlightenment.
The legendary Kurzweil piano sound is now available in a smaller box and with a lower price tag than ever before - though in the UK it's still significantly more expensive than competing piano modules from other manufacturers. Is it worth the price premium? Derek Johnson finds out.
Some ingenious filtering and noise reduction possibilities combine with four channels of frequency-conscious noise gating to make this new studio processor more than meets the eye. Paul White investigates.
Manufactured in Russia under the auspices of the state plan for 'work creation regardless of demand', the MK219 cardioid microphone is styled with all the panache of an Aeroflot tea trolley — but plug it in and you hear quite a different story, as Paul White discovers...
Roland's eagerly awaited multimedia Windows sound package competes head on with the Sound Blaster Pro and Turtle Beach sound cards well known to PC musicians. Brian Heywood finds out how the newcomer measures up.
Roland were one of the stars of the recent NAMM show, launching a jaw-dropping array of new products, including three new 'Expandable' keyboards in the JV line. David Crombie looks at two of them.
A new shape? A large LCD? Martin Russ finds out what Yamaha are up to with their latest expander, which aims to give GM compatibility ans a whole lot more...
Does a band need a record producer? And can the producer also be part of the band? Mike Pickering — one third of M People, the deConstruction act that really came into its own in 1993 — is both a producer and an artist. He sees no conflict in his dual role, but he does feel that the role of producer is changing — here he explains how...
Paul White returns stirred but unshaken from the NAMM '94 exhibition with a brief overview of the products that most caught his attention.
Considered by some to be a guru of the new dance, mixing driving beats with ecletic found sounds, Cabaret Voltaire's Richard H. Kirk remains an influential voice. Mark J. Prendergast tracks him down.