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When setting up a studio, the temptation is to make do with the existing wiring — but this can lead to problems with hum and interference, as Paul White explains.

Owners of Sound Tools II digital editing systems can now have access to sophisticated techniques for reducing noise on recordings - thanks to the DINR intelligent Noise Reduction software. Paul White loads it up and looks for a quiet life...

Hands On Development came into the field of MIDI-controlled lighting very early, with their sophisticated Limetime controller. Now the Starlite offers even the most fiscally challenged the opportunity to add another dimension to a live performance. Martin Russ seeks enlightenment.

Some ingenious filtering and noise reduction possibilities combine with four channels of frequency-conscious noise gating to make this new studio processor more than meets the eye. Paul White investigates.

Roland's eagerly awaited multimedia Windows sound package competes head on with the Sound Blaster Pro and Turtle Beach sound cards well known to PC musicians. Brian Heywood finds out how the newcomer measures up.

SCI's Pro 1 is one of the classiest little monosynths on the second-hand market, as Paul Ward explains.

Does a band need a record producer? And can the producer also be part of the band? Mike Pickering — one third of M People, the deConstruction act that really came into its own in 1993 — is both a producer and an artist. He sees no conflict in his dual role, but he does feel that the role of producer is changing — here he explains how...

Considered by some to be a guru of the new dance, mixing driving beats with ecletic found sounds, Cabaret Voltaire's Richard H. Kirk remains an influential voice. Mark J. Prendergast tracks him down.

Paul White was invited to Tom Oberheim's Los Angeles hotel suite for a preview of the Marion Systems MSR2 modular synthesizer.