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The world is full of manufactured pop bands, but the innovation of the TV show Popstars is to turn the manufacturing process itself into entertainment. Sam Inglis talks to the producers behind the resulting smash hit single.
Korg have seriously upgraded their original D16, adding a 'double O' for good measure. John Walden is both shaken and stirred...
SOS pay a visit to more avid readers to investigate their home/project studio.
Can an Englishman's home be both his castle and his studio — or is it better to keep business and pleasure apart? Jay Kay of Jamiroquai clearly feels that building his own facility has paid off. Sue Sillitoe heads for his Chillington studio in Buckinghamshire to find out more...
Newcastle-based engineer Dave Maughan, like many SOS readers, runs a small commercial studio based in his own house — where he recorded one of the year's most acclaimed albums. Sam Inglis hears his story.
The latest 7.1 version of Magix's popular recording software adds support for native audio standards including ASIO and VST, as well as some tasty new features such as full plug-in delay compensation.
This month, we see how Roland survived some tricky times at the start of the 1980s, and how founder Ikutaro Kakehashi ensured that they were well-placed to take advantage of technological developments over the following few years.
If anyone epitomises the home recording DIY ethic, it's Bill Nelson. With over 40 albums to his credit, many of which emanated from his modest home studio, Bill continues to experiment. Nigel Humberstone explores his latest guitar-based creations.
Mark Isham resides at the top of Hollywood's film-music hierarchy, equally comfortable composing for orchestra as for a rack of samplers in his home studio. He marks time as an innovative genre-hopping artist and sought-after trumpeter too. Jonathan Miller finds out how he fits it all in...
Jamiroquai's recent album Synkronized was the first to be recorded in front man Jay Kay's impressive private studio. One of his album's high points, and a hit single, was 'Supersonic'. Bill Bruce talks to its producer Al Stone about how the track was recorded.
In pop music, production partnerships are pretty rare — especially ones as successful and long-standing as that between Clive Langer and Alan Winstanley.
This month, Paul Wiffen looks at ways of modifying a filter's shape, both in terms of frequency response and over time, and considers the importance of routing in connecting together a synth's various sound-generating and -modifying components.
Butch Vig came to fame for his work on the seminal Nirvana album Nevermind, going on to make a name for himself in post-punk indie production. Now he's hit the big time as both artist and producer, as part of internationally-successful band Garbage. Richard Buskin caught up with him to talk about roots, reincarnation, and rubbish...
With almost 20 self-contained digital multitrackers on the market, either new or second-hand, it can be hard to decide which one is for you. Debbie Poyser & Derek Johnson discuss the options and round up the available models.