SOUND ON SOUND
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In 1981, 'Start Me Up' became one of the Rolling Stones' biggest hit singles. Yet it was actually a reject from a previous session, and only saw the light of day because its infamous co-writers had fallen out...
As more musicians and audio engineers begin to explore the potential of surround sound in project studios, we take a look at Cubase SX 2's revised multi-channel architecture, which gives it advanced surround capabilities.
At a time when audio quality is supposedly getting better, compressed formats are dominating consumer digital devices and services. Cutting Edge takes issue with the trend away from full-resolution playback.
Another batch of lucky SOS readers' demos wait nervously for the Doctor's prognosis. What is the verdict? Listen while you read on...
Echo's original Indigo was perfect for those who wanted to add a high-quality audio output to their laptop without taking up more space. The new IO version adds a stereo input and multi-client drivers, increasing its appeal even more.
Elektron maintain their reputation for producing unusual, innovative instruments with the bizarrely shaped Monomachine; it features six types of synthesis engine, a versatile sequencer, and effects. Is it refreshingly original, or a step too far?
Event up their game once again with their best-ever design for project-studio monitoring. But have they come far enough to continue to face off the competition?
Editor-in-Chief Paul White suggests that non-conformity and individualism might be one recipe for longterm musical success.
The tonewheel organ is back in vogue, aided by various recent 'virtual' renditions of the real thing, and Hammond's release of the New B3. But how faithful does the software sound? We look at two contenders...
Retailing at a paltry nine GBP per Gigabyte, this huge orchestral brass library from the USA appears to offer a big-screen experience at a Blockbusters price. Is there a catch?
This updated Line 6 unit combines improved amp modelling, compression, enhanced EQ, and a sizeable repertoire of modelled stomp-box effects.
This month we continue our advice on working to picture in Logic with tips on how to work around your visual hit points.
It's been possible to make music on Apple laptops for many years now, but creating a working mobile system is harder than it looks. Fortunately, one SOS contributor has years of experience to pass on...
Mindprint have overhauled the electronics in their popular valve recording channel, and have also added extra facilities and an optional USB recording and monitoring interface.
If you want to trust your guitar sound to a plug-in rather than a real box of valves, there are already plenty of options — but McDSP's Chrome Tone is a little out of the ordinary.
Although Centrino laptops have advantages in terms of weight and battery life, standard Pentium 4 CPUs still offer the ultimate in performance, and Nu Systems's desktop replacement machine is a processing heavyweight.
Public service time in Pro Tools Notes this month as we respond to user queries on recording via plug-ins and Rewire, creating gated effects, and bouncing.
This month we not only compare the hard-drive speed performance of USB and Firewire, but also take a look at a MIDI latency-testing utility and see how a handful of MIDI interfaces measure up.
This month PSP Easyverb; Soundhack Spectral Shapers and Universal Audio's 1176LN/SE & LA2A plug-ins are tested.