SOUND ON SOUND
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Big George tells a cautionary tale about a not-so-typical day at the office...
I'm writing because I would like to know what difference it makes patching EQ before a compressor as opposed to after it....
If reverb were added to a track and then the finished article were passed through, say, a TC Finalizer or other multi...
Paul White answers some of the most common questions we receive about soundproofing and acoustic treatment for the home studio.
One drawback of soundcards and soft synths is their lack of physical controllers, but Doepfer aim to bridge the gap with their diminutive PocketC. Paul Ward tries his hand...
A new multi-band, multi-coloured, multi-effects unit from Electrix extends their range of bright and unusual hands-on processors. Could it all be too much of a good thing? Chris Carter investigates...
Emu Systems have been synonymous for so long with samplers and sampling that it may surprise some to learn that they started out making analogue synthesizers — and that through the '70s and early '80s, they produced some of the biggest, most sophisticated modular synths ever made. Simon Lowther gets out his patch cords...
With full-sized velocity-sensitive keys and versatile control capabilities, Evolution's diminutive MK125 could find many uses as a MIDI remote keyboard. Martin Walker tries one out for size.
Paul White tests the latest incarnation of the Joemeek VC3, which now sports a three band equaliser in addition to its mic/line preamp and opto-compressor.
![Figure 10: [top]. Figure 11: [bottom].](https://dt7v1i9vyp3mf.cloudfront.net/styles/teaser_large/s3/imagelibrary/s/synth10_11-0600-68NYYqRsRshDbS2Ny2P.CiH7TfLazGtW.gif)
Every pitched sound can be thought of as a collection of individual sine waves at frequencies related to the fundamental. Gordon Reid introduces a powerful method of synthesis that works by manipulating these individual harmonics.
Although it certainly does sample, Roland's breakthrough 'Variphrase Processor' is far more than just a sampler — it offers a host of 'elastic' real-time pitch-shifting and time-stretching options the like of which have never been seen before. Derek Johnson & Debbie Poyser stretch the limits of sonic processong with the unique new VP9000.
MIDI interface, audio interface, effects processor, hardware control surface for software MIDI + audio sequencers... Edirol's USB-based U8 promises to be all of these. John Walden investigates.
The ability to record multitrack audio with 24/96 capability is something you'd expect from any modern MIDI + Audio sequencer. SEKD's flagship software package does this and a whole lot more besides, including 5.1 and two-channel surround mixing and direct CD burning without the need for a separate application. Martin Walker finds out how it's done.
Paul White changes his manual-gearbox compressor for an automatic model to see whether performance or economy suffer.
Back in the days when spring reverbs were all that the project studio owner could afford, nobody had a good word to say about...
Tascam have updated their ubiquitous DTRS format with an affordable and compatible 24-bit modular digital multitrack. Hugh Robjohns tries out the DA78HR.
In SOS June '99 we reviewed the original Tascam CD‑D4000, a 2U CD duplicator capable of replicating complete...
Paul White tries out AKG's versatile new back-electret, fixed cardioid microphone.
Paul White tests Yamaha's new high-end CD recorder, featuring Apogee's acclaimed UV22 noise-shaped dithering technology.
Waldorf's Q keyboard workstation definitely suffered by being released to the public before its operating system was completely finished or bug-free. Gordon Reid takes advantage of the release of the new Q Rack module to revisit the operating system and see how it's come on...