SOUND ON SOUND
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Bucking the trend for elaborate 'virtual studio' graphic interfaces and bloated feature sets, Making Waves is designed to allow you to get into making music quickly and straightforwardly, on even a modestly specified PC. John Walden puts it through its paces.
Nicholas Rowland tries out the new features in MOTU's ever-evolving flagship Macintosh sequencing package.
Can an Englishman's home be both his castle and his studio — or is it better to keep business and pleasure apart? Jay Kay of Jamiroquai clearly feels that building his own facility has paid off. Sue Sillitoe heads for his Chillington studio in Buckinghamshire to find out more...
Sound On Sound's May 2000 SAE/MPG competition offered readers the chance to win a recording session in a London studio with a top producer. Tom Flint talked to the lucky winners about the recording of their demo — and to producer Steve Levine, who took on the job of transforming it into a potential chart-topper.
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In the first part of a two-part series, Gordon Reid charts the rise of EMS and their creation of the world's first self-...
Paul White boldy goes where no man has been B4!
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Nemesys' Gigasampler proved that a fast PC could compete with the latest hardware samplers, and provided some features they simply couldn't match — such as sampled instruments many gigabytes in size. Now the company has updated the range to include two new products. Martin Walker asks if rackmount samplers have finally met their Nemesys...
Paul White might have more voice channels than he can find voices, but after using the new SPL Channel One, he gets the overwhelming urge to add another one to his armoury.
In their eagerly-awaited new flagship synth, Roland have harked back to the sampling technology of their respected S-series samplers, as well as adding some contemporary touches to equip it for the 21st century. Gordon Reid assesses past, present and future.
Yamaha's new budget phrase sampler is designed to allow rapid creation of phrase- and loop-based music. Derek Johnson & Debbie Poyser put it to the test.
Derek Johnson tries out a new multi-port USB MIDI interface that's also designed to allow connection of serial-port gear.
This special November 2000 edition includes a 32-page supplement looking back over those early days, making this this the biggest SOS of all time. Selected leaders, highlights, and advertisements reveal how the hi-tech music recording field has evolved and how expectations (and prices) have radically changed through the years...
Hugh Robjohns tries out the very first production unit of the AW4416 — Yamaha's eagerly awaited combination of O-series digital mixer, hard disk recorder and sampler — and finds even more than he bargained for...
There was quite a buzz about mLAN at the recent American AES audio trade show. Paul Wiffen reports on the latest developments.
Disk storage may well be the future of recording but, as Dave Shapton explains, it pays to be aware of some of the potential pitfalls before entrusting your precious original master recordings to such media.
The studio business has seen huge changes in the last 10 years, and the equipment, techniques and fashions that were cutting-edge in the early '90s are often redundant now. Mike Senior meets a producer and engineer who, having made it to the top then decided to take a five-year break and is now back with a vengeance.
David Gray's album White Ladder has become one of the most successful UK chart albums of 2000, a breakthrough spearheaded by top five chart single 'Babylon'. Engineer/programmer and co-producer Lestyn Polson tells Tom Flint the story behind the song.