SOUND ON SOUND
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Having studied the sturdy Studer 169 console, French company HLabs decided its classy combination of mic pre and EQ deserved a place in modern studios.
Well known as guitarist with glam art‑rock pioneers Roxy Music, Phil Manzanera has also etched out parallel careers as solo artist, session musician and producer.
There comes a point when tinkering with your mixes won’t improve them — it could even damage them. But just how do you know when it’s time to let go?
What is Hybrid Drumming? And why do you need it?
Working with Kacey Musgraves catapulted Ian Fitchuk from respected producer to one of Nashville’s busiest songwriters.
Designed for outside broadcast trucks, Geithain’s compact monitors could easily find a home in music recording contexts where space is at a premium.
The latest amp‑simulation pedal from Origin Effects recreates another much‑loved classic tube guitar amp: the iconic Tweed 5E3 Fender Deluxe.
Shure’s latest USB mic features a built‑in audio interface.
If the classic side‑chain pumping effect is your thing, Submerge can do that — and a whole lot more!
Softube’s Console 1 system reaches its third iteration, refining and improving the popular DAW controller.
Fancy composing a symphony on your commute? Steinberg have got you...
Take your music off‑grid with Studio One’s powerful tempo tools.
Mixer and engineer Tobin Jones has worked with a raft of boundary‑pushing artists from electronic powerhouse Powell to Japanese psych‑rockers Bo Ningen.
The ET‑5 may have its roots deep in electronic musical history, but it’s very much a modern instrument.
Torso’s ambitious ‘sculpting sampler’ may be a work in progress, but it promises to be something very special indeed.
UA apply their considerable modelling expertise to a trio of moving‑coil microphones.
If controlling your own foldback mix appeals but you’d rather not invest in a digital setup, the PX System might be just what you need.
Windows‑based musicians have long been asking for better support at the operating system level — and it seems to be very much on its way, with native low‑latency ASIO drivers and full support for MIDI 2.0. We reached out to Microsoft to find out more.
Get your vocal levels just right in Pro Tools with these handy tips.