SOUND ON SOUND
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Disco DSP's additive synth plug-in offers both high-quality resynthesis, with up to 256 partials per note, and a novel 'spectral display' for editing your sounds.
With fader controllers, you often have a choice of buying something dedicated to one software package, or selecting a generic unit that gives versatility at the cost of tight integration. Digidesign's Command 8 aims to offer the best of both worlds.
As the name suggests, FXpansion's utility allows VST effects and Instruments to be used in Pro Tools, but how well does it really work?
So you think missing a lecture of your music tech course won't harm your career prospects? Read on...
The Aux object might seem a little arcane, but it's the key to a variety of useful Environment workarounds.
Combining Focusrite's cutting-edge preamplification and A-D conversion with Sintefex's pioneering convolution technology, the Liquid Channel can mimic the most celebrated mic preamps and compressors ever designed. Could this be the only voice channel you'll ever need?
Although perhaps better known as a leading UK manufacturer of hi-fi speakers, Mission have now launched their first active nearfield specifically designed for studio use.
Three years ago, Mark Of The Unicorn were the first manufacturer to bring out a working Firewire interface. Now, they've replaced the 828 with a MkII version offering high sample-rate recording, more flexible clocking, MIDI I/O and better metering — and, what's more, they've cut the price.
In the second part of our coverage of Korg's new collection of software instruments, we turn our attention to the virtual MS20, and the MS20-shaped hardware controller. Just how well do these renditions compare to the original?
The Nord Modular offered a classic blend of flexible software and well-designed hardware in 1998. But can the improved G2 keep up with the soft synths of 2004?
PT version 6.4 comes with some surprising and long-awaited new features.
The Harbal EQ-matching program benefits from some worthwhile tweaks. We report them, and discuss some new information about Longhorn: the next incarnation of the Windows OS.
Thanks to the Internet and the generosity of talented programmers all over the world, it's possible to assemble a PC music software suite for no money at all. We round up some of the best download sites and freebie programs.
My PC uses an Abit KR7A-133 motherboard running an Athlon Thoroughbred XP 2400 processor with 1GB of RAM. My motherboard manual says PCI 4 shares an IRQ with the two USB ports, and that PCI 1 shares with the AGP. My Audiophile currently has an IRQ to itself and so I'm not touching it. However, I need the TC Powercore to not share an IRQ. If anyone can explain what to do, I'd really appreciate it.
I've just got hold of an Oktava valve mic. Having not used one before, I was wondering if there are any general rules or guidelines I should be aware of when using valve mics?
I've been told that I should use an analogue compressor or voice channel with compression as a front end when recording digitally, as this will reduce the dynamic range of the input signal and make better use of the A-D converter's available bit depth. Is this true?
Can you tell me how virtual surround systems work? How is a '3D' effect achieved with two speakers?
A friend of mine has a couple of old stereo tape reels which he'd like to transfer to CD. I've seen stereo reel-to-reel tape machines for sale and I'm considering investing in one, probably a Studer or a Revox, not only to help out my friend, but also because I'm interested in experimenting with tape loops and tape saturation effects. Are old machines by these manufacturers reliable?
SOS's 2003 Reader Survey told us that you want our help in getting the best from this popular package — and we're happy to oblige with a new monthly column.
Shaun Hayward & Joe Kenny of Chunc Productions reveal their gear setup and musical motivations.