SOUND ON SOUND
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The debate's been going on for as long as drum machines have been around: can they really sound human? Nicholas Rowland takes jazz drumming as his test case and tries to find out.
Many musicians now have digital audio in their studios, so Midiman have decided to help them interface cleanly to the outside world, with the bizarrely named Flying Cow. Martin Walker thinks it cud be a winner...
Nearly two years after everybody else jumped on the Power Mac bandwagon, Mark Of The Unicorn have finally come on board with their flagship sequencer, which will now record and play back audio without the need for external hardware. Has it been worth the wait? Derek Johnson finds out.
Prosoniq, the German software company behind many of the DSP processing alogrithms used in MIDI + Audio sequencers, have now made the powerful fruits of their expertise available in stand-alone form. But can the software actually be put to good use? Paul D. Lehrman investigates.
While Roland's A70 in its basic form is a well-equipped but dumb controller, it can metamorphose into a Roland JV-style synth, a General MIDI synth, or a piano at the drop of an expansion board. Paul Ward has a controlling interest....
Paul White finds he has a crush on the Smart Research C2 compressor — but at what cost?
Akai build on their years of expertise in stand-alone digital recorders with a truly portable personal multitracker offering a digital mixer and 12 tracks of audio on a removable-media drive. David Mellor takes it away.
Spectral Audio's internet homepage includes a large graphic, stating, rather menacingly, 'Rave or Die'. Christopher Holder meets the new Syntrack monosynth and decides death can wait.
With a feature list longer than most people's arms, the EWS64 XL has whetted plenty of appetites. Martin Walker dismantles his PC once again in the search for the ultmate soundcard.
Few keyboard instruments are as fascinating and awe‑inspiring as the Hammond B3. The combination of ingenious electro...
Despite the huge technological advances over the last two decades, it's surprising how many SOS gear lists have...
With their latest super-mini effects processor, Italian manufacturer Viscount goes head to head with the Alesis Nanoverb on looks and the Zoom 1201 on price. Tom Flint grabs a pizza the action...
Paul White returns from the land of the rising Sterling with tidings of a whole new range of Yamaha hi-tech and pro audio products.
The latest digital recording systems offer smart facilities in spades, but if you're a newcomer to recording technology it can be hard to find out what's really best for your often simple requirements. Dave Gale wonders who you gonna call...
With 200 gold and platinum discs to his name, techno-pop pioneer Giorgio Moroder can afford to sit back and take stock of his amazingly successful career. Richard Buskin talks to him about it, from early days working with disco diva Donna Summer, to the present.
This month sees the release of the new album from Karl Bartos, former member of electronic trailblazers Kraftwerk. But the synth sound is no more — Bartos' new record is closer to Beatle-esque Britpop.
Paul White follows up a few leads and discovers they all end at the patchbay.