SOUND ON SOUND
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Create a complete musical cue from just a single sample with HALion Sonic’s spectral synth engine.
Eventide’s unique, and uniquely versatile, hardware compressor has had a well‑deserved reissue, with sympathetic improvements to update it for the modern studio.
Expressive E’s idiosyncratic synth sequel puts MPE front and centre.
Flock Audio’s software‑controlled routing system goes from strength to strength!
Groove Synthesis’ PPG‑inspired synth has grown considerably since we last reviewed it. It’s also got a lot smaller...
Hot on the heels of their wonderful 32Classic console, Harrison have delivered their first ever 500‑series modules...
Daniel Moyler is a London‑based mixing and recording engineer who when asked to dissect a favourite sound, focuses on the drum sound from ‘Crowbar’ by Frank Carter and the Rattlesnakes.
Why choose between rock and pop — when, like Andrew Watt, you can excel at both?
New in Live 12, Ableton’s Meld synthesizer is far more complex than you might think.
This high‑end design began life as a resurrection of the rare‑as‑hen’s‑teeth Fairchild 666. But it soon became its own thing...
This remarkably purple mic pays visual tribute to Minneapolis’ favourite son, while drawing sonically on one of Berlin’s most celebrated historic designs.
Organising your Pro Tools sessions will help you work faster and more efficiently.
There’s more to designing a quality monitor controller than meets the eye — or the ear.
We look back at the trend‑bucking Roland modular synthesizer that will still flap your trousers today.
Despite support for multi‑channel inputs and outputs, this innovative delay plug‑in is equally adept at adding depth and dimension to stereo inputs and binaural outputs.
SpectraLayers continues to develop at a spanking pace. We check out what’s new.
Mid‑Sides processing is your gateway to creative manipulation of stereo sources.
Telegrapher may be a young company, but their flagship three‑way monitors are up there with the very best.
Can an old container really be turned into a viable music production space?