SOUND ON SOUND
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Ever wished you could process each of your six strings differently? With the SubSix, you can...
Already movers and shakers in Melbourne/Naarm’s musical underground, producer Kuya Neil and rapper Teether began collaborating in late 2020.
Dumble amps are both revered and rare as hens’ teeth — so it was only a matter of time before UA focused their considerable modelling talents on a stompbox emulation.
Vanguard’s new stereo mic is an exclusive tribute to an even more exclusive original.
This new ARA2 plug‑in aims to make aligning doubles and backing vocal stacks a breeze.
If you like things to be as uncomplicated as possible, Logic Pro’s Sampler fits the bill nicely.
With its many‑band approach, Punch is smarter than your average transient shaper.
The latest addition to Orchestral Tools’ Berlin series of sample libraries shines the spotlight on the soloists.
Maono's flagship studio model is the PM500, a fixed‑cardioid capacitor mic.
Sound On Sound May 2025
Cubase Workshop: Audio Examples
John Walden
These two audio file...
Multiband Splitter opens up a whole new world of processing options.
Pascal Gabriel, aka Stubbleman, joins Kevin Paul for his latest MixBus Interview and gives an insight into his working methods, favourite studio equipment and shares some valuable advice to artists and producers.
Oli Freke talks us through the history of samplers, from the introduction of the Mellotron in 1963, through to current day sampling software, while highlighting the golden era of sampling from the late 80s to early 90s.
David Mellor continues his exploration of microphone polar patterns by discussing techniques for capturing stereo recordings.
With ORIA Control V1.2 installed, users can now use their Elgato Stream Deck and Avid EUCON surfaces to control their units in addition to the existing iPad option.
Space Replicator comes loaded with a set of virtual acoustic spaces, and uses binaural rendering to provide headphone users with realistic-sounding room emulations.
GForce Software’s latest release captures the sound of the Oberheim TVS Pro, a duophonic synthesizer that was favoured by artists such as Martin Gore, Adrian Utley, The Prodigy, Peter Baumann and Nils Frahm.
The Anagram packs in an array of amp and cabinet simulations along with a comprehensive collection of effects, and offers a choice of three control modes.
The latest arrival in Spitfire's Folk & World category has been created in collaboration with Gustavo Santaolalla, the award-winning composer behind the scores of The Last of Us, Motorcycle Diaries and Babel.
The latest announcement from Brainworx sees the company bring the algorithms behind the popular mastering.studio online service to a standalone desktop application.