SOUND ON SOUND
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Whether you use a stand-alone sampler, or a 'PC plus soundcard' sampling setup, KCCM's ReSample Pro is designed to releve you of all those irritating sample format incompatibility problems. Panicos Georghiades gets converted...
As well as heading up the USA arm of Emagic, Mikail Graham is a part of the Emagic development team, and the company's most evengelical demonstrator. Paul White caught up with his rolling roadshow at Birmingham's Musical Exchange store.
Though not new, Peavey's PVM480 back-electret mic is an ideal first capacitor mic. Sound Engineer Steve Brodie explains why.
Almost overlooked in the rush of people desperate to get their hands on a Roland TB303, the MC202 is just beginning to find favour with the all-analogue dance crowd. Tom Carpenter explains why he's never forgotten the diminutive MicroComposer.
Tascam's new DAT machine combines professional features with an affordable price. Paul White puts it to the test.
Paul Nagle takes home a version 2.0 Microwave and discovers why this extraordinary instrument continues to enjoy such a long and illustrious life.
Paul White checks out two 19-inch modular rack cases from CP.
Wilf Smarties tinkers with some kill switches.
June 20th saw Yamaha's world launch of the 02R at Air Lyndhurst Studios, London. Paul White spoke to Yamaha's engineers to get the lowdown on this appealing 8-buss digital recording mixer.
With a second album release imminent, Nigel Humberstone talks to the creative driving force behind D-Ream, Peter Cunnah.
Why do so many mainstream record producers regard young mixers with such suspicion, and why do thrusting young remixers regard producers as such boring old farts? Engineer/producer Phil Da Costa thinks the answer lies in the different approaches to making records held by producers and DJ/remixers alike.
Steve Reich's latest composition, City Life, is an eclectic blend of classical music and sampled urban sounds, all played live. A few days after the UK premiere, Paul Tingen talks to the acclaimed avant-garde composer about his inspiration for the piece, and its realisation on stage.
Brian Heywood brings you the latest PC soundcard developments, and reports back from the recent APRS and Multimedia shows...
Simon Millward completes the construction of a Cubase Mixer Map for Yamaha's popular SY85 synth.
Paul White enters Blue Peter mode and puts together a fully working drum pad and pedal trigger system for less than the cost of a pint of lager. If you own an Alesis D4, drumKAT, Akai ME35T or any other drum machine or percussion controller that accepts external pads, you can't afford to miss this.
Paul Overaa's monthly look at the Amiga scene kicks off with the latest Escom news...
Paul White explores the outer limits of physical modelling on a budget that wouldn't even buy you a decent pair of shoestrings!