SOUND ON SOUND
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Gareth Cousins talks to Hugh Robjohns about the craft of recording music for film, and his work on the recent British blockbuster Notting Hill.
So, you've made it from dogsbody to tea boy, through tape op and Assistant Engineer... In the last part of this series, David Mellor explains the roles and responsibilities of the recording engineer, and what you ought to do if you like to make engineering a life-long career.
Another SOS reader reveals their personal studio set-up.
Assistant Editor Matt Bell explains why the MP3 revolution will not be televised — at least, not at his house.
This month Martin Walker explores a number of interesting new releases, improves the ergonomics of his desktop, and prepares downloadable demos for the SOS web site.
Explore life's ups and downs with MIDI arpeggiators and step sequencers for your Atari, expanded your horizons with a multi-port MIDI cable, and find out about TOS's French connection. Derek Johnson presents a readers' digest. Electronic Cow MIDI Arpeggiator; Phonic MIDI Arpeggiator; Petri Sinisalo Real Arp
John Walden introduces the email discussion list — one of the most valuable resources for information, advice and opinion.
Martin Russ joins the Blue & Whites and examines the goal of all-software music creation. Steinberg Rewire; MOTU Digtital Performer v2.6.
Recording a choir on location presents a number of unique technical and artistic challenges. Hugh Robjohns describes how he approached a recent project.
Many musicians are still debating whether to upgrade to Windows '98. Martin Walker reports back on a year of using Microsoft's latest operating system for consumers.
There are some fine bargains to be had in the second-hand equipment market — but there are plenty of pitfalls too. Debbie Poyser & Derek Johnson offer a guide through the maze.
'Digital loudspeakers' have been available in the hi-fi world for many years, but Genelec have now brought the technology to the home studio market. Hugh Robjohns tries out their new small active monitors and subwoofer.
Power amps are rarely seen as glamorous, but remain a vital part of the audio chain. Martin Walker tries out a well-specified model from Hafler.
Paul White tries out a JoeMeek product that, for once, isn't entirely green — but finds there's still a lot for the competition to envy.
The Quantum from Dbx is the latest entrant into the growing market for all-in-one digital mastering boxes, offering competition to the likes of TC Electronic's Finalizer and Drawmer's Masterflow. Hugh Robjohns finds out how well it stands up in this illustrious company...
The updated compact mixers in Mackie's VLZ range may look the same as ever on the outside — but inside lurk new, high-grade microphone preamps. Hugh Robjohns tries out the new design.
![Figure 1 [top] and Figure 2.](https://dt7v1i9vyp3mf.cloudfront.net/styles/teaser_large/s3/imagelibrary/f/fig1fig2-0899-drTdXKN2Q.4BYJoVKqo_h0J0WDVxuNDX.gif "Figure 1 [top] and Figure 2.")
Having dealt last month with the concepts of envelopes, oscillators and LFOs, Gordon Reid moves on to the subject of filters, and the havoc they wreak on the signals that pass through them.
Sue Sillitoe talks to one of the most influential British record producers of the '90s, Stephen Street — the man behind a string of hit albums for the Smiths, Blur, The Cranberries, Catatonia, Sleeper, Shed Seven and many more.