SOUND ON SOUND
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Most of us never have trouble with the electricity in our studios — but as with everything we take for granted, fixing problems can be difficult when they do arise. We look at some of the main problems and solutions.
Re-live the hardware of the early synth pioneers, as we show you how to construct your very own matrix sequencer in the Environment.
A gaggle of famous MCs, a star of the extreme sports world, and a laptop recording setup in a hotel bedroom: could the MuskaBeatz project show the way ahead for rap music?
Synapse Audio's Orion is now supplied platinum-coated and, with only a modest price rise over the Pro version, is also available in a cardboard box.
We offer a few suggestions about using your old computers as stand-alone effects and virtual instrument racks, and look at a utility to remap incoming MIDI velocities.
Few things are more frustrating than unwanted clicks and pops in your recorded audio. But what are the main causes, and how can they be eliminated?
This Adobe Premiere plug-in has now been ported to two different real-time plug-in formats: VST (for Mac OS 9, OS X and Windows) and Apple's new Audio Unit standard (for OS X).
More on DP4 and OS X, including the new 'Freeze Tracks' feature...
With the largest screen ever featured on a portable computer, Apple's flagship laptop would be tempting even if it didn't offer lots of musician-friendly features such as versatile connectivity and quiet operation...
The subject of clocking in digital audio systems is often a hazy area of understanding among us users, perhaps because we've been turned off by propellerheads who love arguing about it. Here's what you need to know in Pro Tools from a practical angle.
We follow a location recording project from start to finish, showing you how to plan for and conduct the session, as well as how to avoid common pitfalls.
RME have added MIDI I/O and extensive DSP facilities to their well-regarded Hammerfall digital soundcard. Will the new Hammerfall DSP keep its place as a benchmark for audio interface design?
Flatpack contains a large selection of patches and sample sets for each of the modules in Reason v2 and, though largely electronic in character, it steers clear of catering for any single, specific style or genre.
Considering the kinds of cutting-edge dance music styles that are usually associated with Reason, the idea of a General MIDI Refill might appear to be a bit of a strange one...
Cinematix Vol. 1: 3* • James Johnson Spektral Minimalism: 5* • Robert Rich Ambient Atmospheres & Rhythms: 4* • Numina Emotional Peak Sounds For Cinema: 5* • Orchestral Series 3: Cinematic: 4*
Track down hidden sources of distortion, make your audio playback more reliable, and manage your window Layouts.
Sibelius Software have won over the classical music community with their well-regarded score-writing software. Can their new G7 package do the same for guitarists?
Although delay can be one of the most simple studio effects, software delay plug-ins often provide a bewildering array of options. So we take a look at what all the sliders and switches do, and provide advice on how best to use them.
We can argue about copyright ownership until the cows come home, but the real issue is not who owns it, but who played it?