
Spectrasonics Trilogy
Trilogy is big on bass — its supplied library has 3GB of sounds! Is it sweet and low, or does it plumb new depths? We find out...
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Trilogy is big on bass — its supplied library has 3GB of sounds! Is it sweet and low, or does it plumb new depths? We find out...
Can a preamp and D‑A converter successfully straddle the pro-audio and hi‑fi markets? Drawmer believe it can...
Almost three years after he took over this column, Derek Johnson takes an opportunity to look back at some of the excellent music and audio software covered in over 30 instalments of Atari Notes.
With four voices of genuine analogue polyphony, Dave Smiths Tetra is a big synth in a small box.
If you've ever wanted a cheap and easy way to do drum replacement with Cubase, there are some good solutions out there...
There are now so many sizes, types and formats of audio interface available that it can seem well-nigh impossible to find the one that best suits your needs. We sort out the spec features that are really important.
Paul White explores Dynamo, a remarkable suite of virtual synths and drum machines from Native Instruments, offering all the tonality of their acclaimed Reaktor software, but without the complexity.
There's a new addition to Echo's well-established family of PCI recording interfaces, and it caters for recording guitarists and those mixing in surround for DVD production. Martin Walker has a date with Mona.
The trend among plug-in designers is to integrate commonly used processes such as EQ and compression into a single plug-in. It saves on insert slots, but do channel strips offer any other benefits, and which ones stand out from the crowd?
Last month we explained how to derive a Cubase tempo from freely played MIDI. This time, we look at how to extract tempo data from unmetricised audio...
Just as Access's hardware Virus synth was followed by the snazzy Virus Indigo, so the TDM plug-in version for Pro Tools has benefited from an upgrade to Indigo status, making it more infectious than ever...
Korg's newest workstation heavyweight boasts 32 recording tracks, a powerful 44:12:2 mixer, a programmable drum machine, and up to 11 simultaneous effects — all for under £1000. Read our hands-on report...
Derek Johnson & Debbie Poyser explore a colourful way of applying virtual synth processing to your samples.
Even if youre tightening your belt, you can still upgrade and improve your studio and methods — you just need to be a bit more crafty about how you spend your cash...
The latest technological advances in reverb design have yielded expensive hardware units that can 'sample' the sound of real rooms. Now Audio Ease's Altiverb brings the same convolving technology to the Mac — at a fraction of the cost.
More and more music producers are turning to 'virtual drummer' software to help them realise authentic-sounding drum tracks. We caught up with some of the people behind the leading applications, to find out why this new software genre has appeared and how it might develop in the future.
Younger Brother brings together two of the Twisted labels biggest names. We visited Simon Posfords studio in a bid to uncover the secrets of psytrance...
This latest multitracker from Boss boasts powerful effects processing and built-in USB facilities.
These days, few hi-tech musicians would consider their studio complete without some kind of sampler. Paul White goes through the basics of these invaluable studio tools, for the benefit of anyone who has yet to sample one...