SOUND ON SOUND
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I've recently bought myself an electroacoustic guitar and it sounds really loud, clean and crisp when I play it. Yet...
In the middle of November I sat down to do some recording, to find that interference was affecting my equipment. It hasn't...
I currently have a Pentium III 600 PC running Logic Audio Platinum, but do most of my sound editing on a Kurzweil...
I have recently bought a new PC that I intend to use solely for music production. Having read Martin Walker's article on...
I am beginning to expand and improve my home studio, and am now deciding on a monitoring system. After studying the...
I have bought the Native Instruments B4 organ plug‑in and am using it with Emagic Logic 4.6.3 on a...
Hugh Robjohns and Mike Senior explains how to get great results when creating arrangements one track at a time.
This month, we see how best to comp performances within Logic, and we also show you a neat trick for finding new guitar fingerings.
Simon Price continues his look at Pro Tools, focusing this month on the software and how it can be used in the studio alongside other MIDI + Audio recording and editing applications.
When your studio just won't co-operate and there's no-one to turn to, the pool of knowledge and expertise offered by fellow web users can be a life saver. Chris Carter investigates troubleshooting on the open-all-hours Internet.
Many problems encountered when using PCs to record music are caused by MIDI or audio data not being delivered on time, or by its flow being interrupted. Martin Walker outlines some of the most common causes and symptoms, and tells you how to go about eliminating them.
The facilities that Cubase offers for manipulating note legnths may not be amongst its most exciting features, but as this month's Cubase Notes demonstrates, they can prove to be invaluable.
Derek Johnson plugs a new, free online magazine for Atari users, and explores a composition tool with an interesting angle on film music production.
More than ever before, it's possible to reproduce the functions of a hardware mixer with software in a computer. But can you completely replace a mixer with software — and, more to the point, should you be trying to? Paul White plays devil's advocate...
This month Martin Walker takes software samplers as his theme, offering advice about avoiding glitches when using them with other applications, and bringing news of a forthcoming sampling VST Instrument.
This month, Sam Inglis shows you how to improve your lyric writing by using fewer words to say more.
This month, Big George lays himself bare for your entertainment...
More Pro tools users than ever will now have the option of ditching the mouse and mixing from a full-featured hardware control surface, thanks to this collaboration between Digidesign and Focusrite. Hugh Robjohns and Paul White get their hands on the Control 24.