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What happens to the many talented musicians in the UK who never get a chance to be heard by a wider audience because the music they make isn't what major record companies want to sign? Discovering new talent and helping to bring it to the fore has always been the producer's dream. But now producer Floyd-Douglass is launching a new project to do just that...
Paul White talks to Graham Blyth, Spirit's founder and design guru, about the company's product philosophy and its newest line, the Spirit Powerstation powered mixer.
Not many musicians realise the potential of playing the European live circuit. Nigel Humberstone, whose band, In The Nursery, has built up quite a substantial European following, lets you in on some of the secrets of technical and business survival in Europe.
Mike Oldfield's new album was inspired by the writings of Arthur C Clarke and features an interactive CD-ROM section. Paul White asked the composer about the artistry and technology behind the project.
Alesis' Midiverb was a big hit with cost-conscious studio musicians when it was first launched back in the mid '80s. Now Paul White assesses whether the Midiverb 4 is still first among sequels...
Panicos Georghiades explains how PC multimedia authoring programs can be used to put additional information onto a CD along with the music.
Influential producer Rupert Hine this year celebrates 30 years in the music industry — and he shows no signs of slowing down, with a current solo album on general release, and a string of new Hine-produced albums, including one for offbeat French combo Les Negresses Vertes, waiting in the wings. Paul Tingen talks to him about technology past, present and future.
Paul White reveals more cheats and workarounds aimed at making sequenced instruments sound more realistic.
This month Martin Russ gives you the hands-on lowdown on System 7.5 for the Macintosh, as well as the latest Apple news.
Martin Russ investigates why you might need more MIDI outputs.
The last four weeks have been pretty hectic for the Amiga community, and Paul Overaa has, of course, been dutifully recording the more memorable events...
Paul Nagle puts the case for the IBM PC as a music computer, but admits that not all is sweetness and light.
Are you forever coming up with the same old 'N-N-N-N-Nineteen' effects on your sampler? do you reach for that jaded Peruvian noseflute sample every time you want a 'really original sound' for your latest masterpiece? Fear not, for top tipmeister Paul Ward is back, with more off-the-wall uses for you to try out at home...
Exciters and enhancers are often mentioned in SOS, but what exactly do they do to your sound, and how do the various types differ? Paul White explains.
Paul White reveals a few of his Blue Peter-style secrets, the general aim being to construct something useful in the studio without spending more than a pound!
Those of us who can afford it probably master to DAT, but for the ADAT user, this isn't necessarily the best option, as Paul White reveals.
Brian Heywood removes his Santa hat, polishes of the last of the brandy butter, and considers what you might need to do to your PC now the new year is upon us.