SOUND ON SOUND
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With the addition of digital audio, version 4.0 of this popular, PC-based sequencing package isn't so much a cake as a chocolate gateau. Janet Harniman-Cook takes a walk in the Black Forest...
Though hard disk recording offers possibilities far beyond those achievable with magnetic tape, it often sports a vastly more complex user interface, which can alienate the tape-based faithful. But Akai's new 16-track hard disk recorder seeks to meet the tape heads halfway, David Mellor plays ambassador...
The remarkable success of the Drake Music Project is proving that where music technology is concerned, disability is no handicap. Mark J. Prendergast joins the levellers...
Once the artist, their record company and A&R manager have agreed the balance sheet, there are still artistic questions to be resolved. This month, continuing his look at working as a team, David Mellor explains how producer, arranger, programmer and session musician can live together in perfect harmony...
Kurzweil's latest workstation is very much the product of evolution, rather than revolution. Paul Ward finds out whether it's keeping pace with the rest of the synth world...
High-quality mic recordings and PC soundcards don't normaly go together all that well, but this could be about to change with Aardvark's new audiophile breakout box.
In Part 1, author Gordon Reid told us how he found one of the world's rarest synthesizers in Australia, and of the trouble he went to to get it home. In Part 2, he explains what it is about the Yamaha GX1 that made it all worthwhile...
Paul White checks out TC Works' Spark, a Swiss Army knife of a Mac editor that takes an entirely new approach to the use of VST plug-ins. It also offers sampler support and MP3 file creation, and its effects section can even run within other VST- and MAS-compatible software.
Sound On Sound's September 1999 SAE/Quantegy competition offered the fantastic prize of an all-expenses-paid recording session in a New York studio with a top producer. Tom Flint talked to the lucky winners to find out how they put their winning demo together — and found out how producer Nicky Graham transformed it into a potential chart smash.
Software Technology's VAZ Modular promises the authentic sound of analogue synthesis form. Martin Walker tests out their claim.
A monosynth that doesn't cost monopoly money? Paul Nagle thinks Waldorf's new Pulse offers the most fun you can have with your presets off...
'I once believed in Jesus, now I can't believe in rock' n' roll." ex-Virgin Prune Gavin Friday may have his cross to bear, but this gadfly of the Irish rock scene isn't one to let the grass grow under his feet...
During a fleeting visit to SOS headquarters, Paul White managed to soften up DOD/Digitech's Product Development Manager, Randy Thorderson, with a tasty curry before pumping him for info about products and future developments.
In Part 1 of a special two-part feature, Gordon Reid tells the amazing story of Yamaha's ultra-rare GX1 analogue megasynth — and how it ended up in his living room!
Evolution is happening everywhere, and nowhere more so than MOTU's flagship recording software for the Mac. Nicholas Rowland tracks down the latest version.
Hip-hop's biggest stars have always been American, and their success has tended to overshadow artists from other countries. London-based Russian DJ Vadim, however, is winning increasing recognition for his distinctive, cosmopolitan music. Sam Inglis finds out how he puts together his tracks.
Rob Parrett catches up with veteran musician Rabbit, also known as John Bundrick, who's still in demand as a session keyboardist after more than 25 years in the business.
The facility to construct sophiticated arrangements of virtual faders, knobs and buttons, and use them to control studio equipment via MIDI, is one of Cubase's most powerful features — but also one of its most under-used. Paul Sellars explains how to make Mixermaps work for you.
Offering evolution not revolution, the feature-laden K2500R packs one heck of a sonic punch. Paul Ward remains impressed...
We get our hands on Fostex's latest affordable digital recorder — and the company's first ever stand‑alone digital mixer.