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Working with a mouse and keyboard neednt compromise real-time control, as Sugar Bytes clever interface design demonstrates.
The hyperactive developers at Ableton have been at it again. Live 7 gains an ingenious new way of working with drums, and an optional library packed with new instruments.
Emu's Vintage Keys module offered a tempting selection of sounds sampled from the cream of desirable analogue synths. Now the same concept has been remodelled, with a lower price tag to appeal to a larger range of musicians. Gordon Reid assesses the Classic Keys.
Flagship sequencer apps are so packed with features that it could almost be a full-time job learning the package of your choice. If your needs are simpler, why not make it easy on yourself and investigate one of many options that are more entry-level or cut-down, yet still remarkably capable?
The successor to G-Forces popular M-Tron instrument brings dual layers and subtractive synthesis to the Mellotron party — but also manages to keep authenticity firmly in mind...
We begin this regular column on using Ableton Live by examining how you can increase your productivity whilst using the program as a writing tool.
The challenge was to add yet more features to Live without compromising its legendary ease of use. Have Ableton succeeded?
DPA have used their hi-tech miniature microphone capsules to produce a pair of mics that you can use on just about any sound source.
GeneralMusic are perhaps best known for their home keyboards, but this powerful new high-end instrument is aimed more at the synthesizer workstation market, though is still includes keyboard auto-accompaniment features. Are the company mapping out a brave new world? Simon Trask explores the SK76.
With Sonar Home Studio, Cakewalk have made the core features of their flagship sequencing application available at a bargain price.
Paul White, with a little help from Rachel Fletcher and Paul Farrer, gives a blow-by-blow account of a controller that allows MIDI modules to harness the power of wind.
Although Craig Armstrong has been building strong writing and arranging credits since the start of the '90s with such artists as Massive Attack, Madonna, Suede and U2, it's only in recent months that he's come to the fore as a solo artist in his own right, with his new album The Space Between Us. Paul Tingen notches up some Frequent Flyer miles to talk to him.
DP supports a wide range of plug-in and virtual instrument formats, which is great for flexibility and variety but sometimes not so good when it comes to trouble-free operation. We explain how to take the pain out of plug-in management.
Track freezing makes it possible to create much larger projects, and collaborate with other Live users who have different plug-ins, all without cramping your style.
Epic in every sense of the word — unning to 21 songs, involving more than 120 musicians and taking almost two years to complete — Stevie Wonder's Songs In The Key Of Life was in many ways the high-point of an already illustrious career. This is the story of how it was created.
Cakewalk have rethought their Project 5 loop-sequencing application, adding features such as audio recording and a Groove Matrix for triggering patterns live — not to mention a virtual Roland sound module and a powerful new synth.