SOUND ON SOUND
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Like the analogue modelling of AAS's Tassman but don't need its complexity or fancy its price much? The far more affordable Ultra Analog could be right up your street...
Although Numark's new CD deck is squarely aimed at live DJs, its intriguing feature set gives it the potential for serious studio use, and at a comparatively affordable price.
Two of Zoom's budget studio effects processors have been re-released with a few modernisations. Are they still relevant in today's market?
We get our hands on Fostex's latest affordable digital recorder — and the company's first ever stand‑alone digital mixer.
Big George Webley recounts some personal experiences of the jingle music business and drops a few hints about how you might get in on the action...
Like Ronseal products, EWQL's Colossus is pretty much as it's described on its container, offering the user a vast 32GB sample collection supplied on eight DVD-ROMs. Size, however, isnt everything — or is it?
The Windows XP Service Pack 2 is out, and it offers valuable bug fixes as well as enhanced Internet security measures. But as reports of a few audio-related problems surface, should musicians go ahead and install it?
The Kaoss Pad Entrancer builds on the success of the Kaoss Pad 2, offering the same versatile X-Y pad-driven audio processing capabilities, but adding video processing to give you real-time control over both sound and vision.
For over 15 years, Korg have produced the world's most successful workstation synths, and the OASYS is their new £5400 flagship, their attempt to take the concept to the next level. In the first instalment of our two-part in-depth test, we assess how they have fared...
When your PC soundcard ceases to function, the newly connected external controller very often gets the blame — wrongly. Brian Heywood identifies some possible alternative causes.
If you pined for the innovative Neuron in 2003, but couldn't afford the £3500 price tag, check out Neuron VS; it packs most of the original synth engine into a £500 software instrument and throws in a distinctive hardware controller.
Much more than just an audio and MIDI interface, Edirol's UA700 also incorporates a preamp with DSP effects, microphone and guitar amp modelling.
This month Amiga guru Paul Overaa takes over the reins on our Amiga Notes pages. What have we let you in for? Read on and you'll see...
Sample & Hold modules, as explained last month, convert a continuously varying signal into a stepped series of fixed pitches. And this, as we shall see, is the basis of what we know as 'digital audio'...
The all-digital, computer-based recording studio is no longer a distant future possibility. Thanks to digidesign's TAM buss, many of the processing capabilities of a traditional studio setup are now available as computer software plug-ins. In the first of this two-part feature, Mike Collins takes us through some of the available options.
Few things can be more frustrating than having a recording system plagued by hum. Paul White explains the causes of hum-inducing ground loops, and offers practical advice on how to avoid them.
Running two or three soundcards simultaneously can greatly increase the power and flexibility of your PC but it can also lead to serious conflicts. Martin Walker leads you through the pitfalls.
Buying your first synthesizer can expose you to apparently meaningless technical specifications, conflicting advice, and overwhelming technical jargon. Confused? You won't be, after reading Derek Johnson & Debbie Poyser's plain English guide to making the right choices.