SOUND ON SOUND
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In the final part of this series, Oli Bell gives you some practical tips and tricks on looping, re-grooving and time-stretching.
MOTU's good-sounding, competitively priced audio hardware has won them a lot of friends in the project-studio and professional arenas. The latest addition to their range is a 12-channel interface that offers 96kHz, 24-bit recording. Robin Bigwood tests the 1296.
Mike Simmons ties up some loose ends with some words on browser compatibility, a look at other Internet music other than Real Audio, and a brief guide to using frames on your site.
Although it offered a GM mode, Yamaha's QY22 Walkstation was not a true General MIDI instrument. With the release of the new fully GM-compatible QY22, have Yamaha rectified the shortcomings of the previous machine? Derek Johnson finds out.
Steve Reich's latest composition, City Life, is an eclectic blend of classical music and sampled urban sounds, all played live. A few days after the UK premiere, Paul Tingen talks to the acclaimed avant-garde composer about his inspiration for the piece, and its realisation on stage.
A relative newcomer to the UK electronic music scene, Andy Pickford is giving the likes of Mark Shreeve, Ian Boddy, and John Dyson a run for their money. Jonathan Miller witnesses the new kid on the block in action at Derby Cathedral.
This month, Paul Overaa devotes the whole of his column to a roundup of the current Amiga sequencing scene.
Studio Vision has been offering digital audio recording for an amazing eight years, making Opcode a pioneer in this field. Martin Russ sets out to discover whether successor Studio Vision Pro is still keeping up with the times, and finds it visibly improved...
Gareth Cousins talks to Hugh Robjohns about the craft of recording music for film, and his work on the recent British blockbuster Notting Hill.
Paul White studio tests Roland's versatile modelling guitar amplifier, which has applications both on stage and in recording.
Hugh Robjohns twsts Millennia's flagship STT1 recording channel which offers elements of their entire product line all in one ultra-flexible box.
The major audio and MIDI recording applications are slowly migrating to Mac OS X, and the latest to arrive is Digidesign's Pro Tools. The upgrade also introduces powerful new project management features, Groove Template functionality and a more powerful LE version.
Paul White enters Blue Peter mode and puts together a fully working drum pad and pedal trigger system for less than the cost of a pint of lager. If you own an Alesis D4, drumKAT, Akai ME35T or any other drum machine or percussion controller that accepts external pads, you can't afford to miss this.
If your MIDI data refuses to emerge properly from the end of the cable, why not try these handy tips. Martin Walker helps you thru your Ins and Outs.
Simon Millward continues his fundamental guide to Steinberg's flagship MIDI recording software package.
Brian Heywood explains what a busy month his PCs have had, and takes another look at the PC's potential for multimedia.
Last year's best-selling UK single came not from Westlife or All Saints, but a pre-school kids'TV series. Sam Inglis asks its composer and producer how they turned the theme into a hit.
Stardate 02/2001: the most compact and affordable of Waldorf's bright yellow workstation synths is beaming into the SOS Editorial dome. Is it the work of a superior intelligence, or does it have all the appeal of a Vulcan nerve-pinch? Mind-meld with Paul Nagle and find out...
With the promise of improved battery life and more compact designs with no compromise in performance, Intel's Centrino technology should be the answer to the mobile musician's prayers. But does the promise hold true when running the most demanding music and audio software?