
Andy Cross: Zoo Audio
Although we don't usually cover commercial studios in Readerzone, Andy Cross's small Zoo Audio studio has found its way here because it is one of the few studios in the country to contain an Esmono recording booth.
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Although we don't usually cover commercial studios in Readerzone, Andy Cross's small Zoo Audio studio has found its way here because it is one of the few studios in the country to contain an Esmono recording booth.

Roland's sophisticated, yet highly affordable SRV3030 is the latest contender in the competitive market for dedicated reverb units. Paul White tries it out.

Those of us who can afford it probably master to DAT, but for the ADAT user, this isn't necessarily the best option, as Paul White reveals.

Think your own music is good? Listen to these tracks from SOS readers and see if you agree with the good Doctor's prognosis...

In 2003 the original V-Synth represented a bold leap forward in synthesizer technology. Can Roland take the concept further with the new V-Synth GT? Read on...

For the first time ever, Digidesign's Pro Tools recording software is available as a stand-alone product, which can be used in conjunction with any of five audio interfaces from M-Audio.

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The humble sample CD-ROM is dying out, being replaced by sample collections with a virtual-instrument front-end. Wizoo's first forays into the field combine Latin and Arabic percussion loops with their own Flexgroove virtual-instrument engine...

The owner of an unusually bijou studio setup provides the chocolate biscuits this month, as the SOS team get busy helping to improve the performance of his gear and the sound of his recordings.

One of the UK's most successful instrumentalists, Mike Oldfield is now embarking on a pioneering attempt to combine music and virtual reality.


Paul White appraises the latest contender in the budget, general-purpose mixer category, and finds that its deceptively simple facade conceals several powerful and unexpected features.

Morcheeba's last album Big Calm was a commercial and artistic breakthrough, and expectations were running high for their new album, Fragments Of Freedom. The first single from the album, 'Rome Wasn't Built In A Day', was an intriguing taster. Producer Pete Norris told Tom Flint how it was written and recorded.

Your next project might be a four-track demo or a 100-track surround mix for cinema. Either way, at some stage you're going to have to mix it — but with DP on your side, that doesn't need to be a headache.

This month the team travel to Wales to mix vocals, acoustic guitars, and a troublesome hurdy-gurdy for a studio based in a mobile home!

FireWire audio and MIDI interfaces are gaining in popularity, as are fader surfaces designed for hands-on control of computer recording packages. Now Digidesign have combined the two.

Much more than just an audio and MIDI interface, Edirol's UA700 also incorporates a preamp with DSP effects, microphone and guitar amp modelling.

This is a reissue of Groove Tubes' first large-diaphragm condenser, but with solid-state electronics replacing the valve to offer a more affordable package.

We investigate an obscure PC parameter that may be responsible for some otherwise 'incurable' soundcard stuttering problems.

A robust and unusually flexible mixer with lots of stereo inputs.