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Create drum machine‑style grooves in a flash with Cubase’s Beat Designer.
This powerful alignment tool is now easier to use and boasts new functions — along with impressive results.
Lewitt’s vocal‑oriented Pure Tube promises valve tone without the noise.
David Kosten’s first commercial Atmos project was an immersive mix of one of the greatest albums of all time. No pressure...
The latest DynIR bundle for Two notes' Torpedo modelling systems contains seven guitar and bass cabinet models from the live and studio rigs of British rock band Don Broco.
Neumann have joined forces with Merging to create an interface that’s both excellent and accessible.
I believe SOS still stands out. If you look at its coverage of events like Superbooth, I think you can see that difference.
Each band of this mastering‑grade module can process the Mid, Sides or stereo signal.
Understanding the science behind musical taste and listening preferences can help you make more effective production decisions.
Intuitive and powerful, this compressor can handle anything from mono up to 7.1.4 Atmos sources.
The Trinity is a three‑voice drum module with four separate synthesis algorithms to generate its sounds.
Intellijel pack their considerable Eurorack experience into a single standalone synth.
Newcomers GS Music are kicking things off in style with an ambitious polysynth.
Rhodes’ software recreation of their flagship instrument shows all the same painstaking attention to detail.
With the release of their ‘Next Generation’ preamp, Wes Audio have made it possible to assemble a full 500‑series analogue channel strip with DAW plug‑in remote control!
Cristobal Tapia de Veer has become a first‑call Hollywood composer — by ignoring Hollywood’s rules.
A programme of 10 Panel Talks taking place across both days at this year's GearFest UK has been announced and recently revised.
This boutique compressor sounds every bit as classy and characterful as it looks.
In allowing you to create feedback loops, Reaper gives you access to a world of creative effects.