SOUND ON SOUND
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Fender's new Tone Master Pro aims to offer guitarists the ultimate all-in-one amp modelling and effects solution for the studio and stage.
The man behind colossal hits for Harry Styles, Miley Cyrus and Florence + the Machine takes a surprisingly old‑school approach to writing and production.
Lurking within this humble arranger keyboard is a completely new form of synthesis...
Mexican‑Canadian songwriter and producer Andrea Rocha was classically trained and has worked with some of pop’s brightest stars, including Ellie Goulding, Gabrielle Aplin and Becky Hill.
If you were to ask me which electric guitar I most pick up when I play for pleasure, not work, I do have an answer, absolutely and definitively.
Since breaking through with BTS’s ‘Dynamite’, David Stewart has been making his mark on modern pop music with hit after hit.
Have Black Corporation managed to capture the spirit of the Jupiter‑8 in a 19‑inch rack?
Mixing in software needn’t mean that the results lack character, colour and warmth.
The ever‑growing UAFX stompbox line‑up now includes a range of more affordable single‑function digital pedals: 1176 Studio Compressor, Orion Tape Echo, Heavenly Plate Reverb and Evermore Studio Reverb.
Tonemission, founded by John Petrucci, guitarist and founding member of prog metal band Dream Theater, recently released a...
Mic preamps and DIs all sound the same, right? Nope!
With the launch of the Apollo Twin X USB, all of the features of UA's popular compact desktop audio interface are now available to Windows users via USB 3.
Arturia have another classic on their long list of software synths: a special little squelchy box.
The war of the clones shows little sign of ending — and Warm Audio have now trained their sights on a very classy optical compressor.
BLA have packed their take on the classic ‘blue‑stripe’ 1176 into a 500‑series module.
We visit the German factory where beyerdynamic’s classic microphones are still handmade in exactly the way they always have been.
If you’re a fan of Ted Fletcher’s classic optical compressor designs, this one should not disappoint.
No synthesizers were used in the making of this plug‑in.
Turn the ratio up, and a compressor becomes a limiter. Go even further and you enter the world of reverse dynamics — and unique sonic effects.