
Steinberg Groove Agent 2
From the same team that brought you Virtual Guitarist, Groove Agent has had an impressive upgrade, and is now claimed to work better under non-Steinberg hosts. We put it through a proper multi-platform test.
To find the exact phrase, put the words in quotes or join them together with a plus sign e.g. live+recording or "live recording".
To find, say, all live recording articles that mention Avid, enter: live+recording +avid - and use sidebar filters to narrow down searches further.
From the same team that brought you Virtual Guitarist, Groove Agent has had an impressive upgrade, and is now claimed to work better under non-Steinberg hosts. We put it through a proper multi-platform test.
Half teacher, half technician, as a producer you're going to have to coax the best from your charges, identify their strengths and conceal their weaknesses. David Mellor dons the velvet glove...
Martin Russ brings post-Christmas good cheer and looks at some second-hand sale bargains. Finally, there's news of free Mac shareware form SOS...
Paul White gets truly virtual with Roland's new physical modelling guitar product — and no, it's not a guitar synth!
It's hard enough to reach the top in any field, be it engineering, production, programming or playing an instrument, but Michael Bradford has excelled in all of these departments - and often while travelling across America at 80 miles per hour! Richard Buskin meets a man who's helped to create massive hit albums for Kid Rock and the New Radicals.
Will Holland is one of the most prolific producers in the UK's alternative dance scene, and rather than sampling old records, he prefers to track down the musicians who made them.
Sweetening the mixing environment and sorting out the bass end is this month's task — but there's much more to do than adding a bit of rockwool!
Recognising that there are millions of synth-hungry guitarists out there, manufacturers have been trying for years to develop products which would appeal to them. Norm Leete traces the history of Roland's innovative GR range of guitar synths and controllers.
Recording a band is tough enough in the studio, but working on location adds another whole level of complexity. So here's how to overcome the inevitable setup gremlins and fix some of the most common problems at the mixdown stage.
Over the last 30 years Tony Platt has engineered and produced albums by some of the biggest names in music, from rock to reggae. Tom Flint talked to him about his days at the pioneering Island Studios, his work with the legendary producer Mutt Lange and his vision of the future.
Martin Russ's Studio 5LX has changed the way he runs his studio. In the first of this two-part series, he explains how to set up a multi-port MIDI interface, and reveals some of the ways in which these useful devices can simplify your life.
With Portishead's much acclaimed Gold selling debut album, Dummy, riding high in the charts, the West Country finally have an act to make a song and dance about. Jonathan Miller gets the low down on fame, fortune and M16 from co-producer and band member Adrian Utley, a man of many talents.
Young Irish engineer Robbie Adams played an important part in the recording of U2's popular and critically-acclaimed albums Achtung Baby and Zooropa. Here he gives Paul Tingen a fascinating insight into the exciting and unorthodox recording methods they used.
Armed with a subversive view of society and a command of catchy synth-pop, Devo burst into the charts in 1980 with weird classic 'Whip It'. Producer Robert Margouleff talks de-evolution...
The 18-month gestation period behind Michael Jackson's Dangerous album and its lead single 'Black Or White' saw '80s studio perfectionism taken to extremes — and despite their success, the experience helped to convince co-writer, engineer and co-producer Bill Bottrell that there had to be another way to make records!
Despite having produced a string of successful albums by artists as diverse as Crowded House, Suzanne Vega and Elvis Costello, Mitchell Froom still strives for a fresh approach to each new project and refuses to sit back and sink into a formula. Paul Tingen talks to him.
We look at the completed orchestrations for the film project introduced last month, and begin to consider the problem of what to do when a director demands revisions to your work...
Technology has threatened to put drummers and guitarists out of work, but until now, singers have been safe. Is Yamaha's Vocaloid going to change all that?
It's clear from our readers' survey that while you like to read about those on the professional side of the recording industry, you'd also like to hear more from fellow mortals! In the first of this occasional series, Paul White talks to Rick Cordes, an SOS reader who's built himself a very tidy basement studio...
David Mellor warms to TL Audio's new mid-range valve voice processor.