
Studio SOS: The Lab
Flying duvets provide an emergency remedy for control-room acoustics in The Lab's two-storey industrial unit.
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Flying duvets provide an emergency remedy for control-room acoustics in The Lab's two-storey industrial unit.
Drum recording problems face the Studio SOS team this month, as they sort out two Bristol-based studios at once.
The SOS team get busy at the London studio of a band called South, by transforming the sound of their troublesome monitoring room.
This SOS reader was having trouble with his monitoring, so the SOS team sped over to his home studio in Bristol, England to sort things out.
This issue's Studio SOS comes to you from the other side of the world, as we help an Australian reader sort out his vocal recordings.
The intrepid SOS crew answer a call for help from a drummer whose studio requires a monitoring and acoustics makeover...
The SOS team return to Cambridge, turning another home studio upside down in search of improved vocal and guitar sounds.
The owner of an unusually bijou studio setup provides the chocolate biscuits this month, as the SOS team get busy helping to improve the performance of his gear and the sound of his recordings.
The SOS team are back in London this month to help some high-profile remixers sort out the monitoring problems in their new studio.
Acoustic problems and mains hum were making Aniff's studio difficult to use, so the SOS team stepped in to help.
The SOS crew head to the 14th floor of a London tower block to help a pair of readers improve their drum sound.
The SOS team help Peter May to brush up his drum sounds and put more life into his mixes.
This month, the SOS team help The Arcades to rock even harder than before!
The SOS team apply themselves to the task of mixing Chinese traditional instruments with mainstream Western sounds at reader Jiang Li's home studio.
The intrepid SOS team travel to Nigel Helm-Nurney's London studio to help his band Pombokiwi do battle with unwanted spill, uninspiring guitar sounds, and masses of egg boxes!
David Ashman felt that his mixes lacked energy and were sounding 'too digital', so the SOS team set off to his home in Bristol to sort out his monitoring system and mix processing.
Musicality isn't everything when you're trying to make a decent-sounding recording at home, even if you're as talented as the multi-instrumentalist Harding family. So the SOS team travelled north to help them get their engineering techniques up to scratch.
This month the intrepid SOS team travel to Wigan to address Allan Murrell's recording, monitoring and mixing problems.
The SOS team battles through snowdrifts to help Nick Redman and Mike Sinnott with two different vocal sounds.
Recording in a converted attic, Tom Fox was having serious problems with his acoustics while recording drums, so the SOS team drove over to Yorkshire to sort things out.