SOUND ON SOUND
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Clean up your MIDI with Studio One’s comprehensive quantise options.
Roland’s SH‑101‑inspired S‑1 is a great‑sounding synth with surprising depth.
We explore how Studio One’s Snap, Grid and Quantize settings interact.
ZAPS is designed for fast, percussive sounds that spit, splat, zip and zap, although it won’t shy away from the odd melody either.
Arturia’s new KeyLab Essential focuses firmly on computer control, with ambitious DAW integration.
In Studio One, Multi Instruments are your fast track to powerful synth layers and splits.
Coral is an eight‑voice, eight‑part, 10‑sound‑engine synthesizer in a 14HP module.
Think you know what analogue synthesis sounds like? Pittsburgh’s Taiga might change that...
Sonicware’s SmplTrek packs an ambitious sampler, sequencer and recorder into a single portable box.
We take a look at what’s new in Studio One version 6.1.
Wobbler2 adds a drum synthesizer to the Wobbler LFO module that was released in 2018.
We explore the mixing possibilities offered by Studio One’s console.
We talk you through the basics of editing audio in Studio One.
Vector Wave is an extraordinarily playful multi‑levelled cluster oscillator with multiple modes, nuances, vector synthesis and FM algorithms.
Zoom’s AMS interfaces are small, simple, and extremely tough.
We show you how to get started recording audio in Studio One.
We don our shiniest Daft Punk helmets and get funky with Studio One’s Vocoder.
Elta Music have put the heart of the celebrated Soviet synthesizer into a convenient desktop box.
Your Studio One productions can now have integrated lyrics.
Sonicware’s Bass & Beats has a lot to offer, but you’ll have to work hard to get it.