SOUND ON SOUND
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We show you how to configure your inputs, outputs and audio routing in PreSonus' flexible DAW.
We talk you through the various metering options available in Studio One.
Do Arturia’s MiniFuses go off with a bang or fizzle out with a whimper?
M‑Audio go Pro with a new Oxygen controller keyboard.
The new 5.4 update includes intelligent chord detection, plug-in nap, M1 compatibility and much more.
The Wangulator is a performance controller for Eurorack that was designed by someone with a need to get all their fingers modulating different things all at once.
Erica Synths’ Matrix Mixer could change the whole way you think about modular.
Automation helps you realise your creative vision by baking in those movements, changes and layering that you couldn’t manage to pull off in your performance. It also lets you resuscitate a dying mix and breathe new life into your tracks.
M‑Audio’s trusty MIDI controller workhorse treads indefatigably onwards.
Manipulate the timing of MIDI and audio with Studio One’s Tempo Track.
Behringer’s TD‑3‑MO isn’t just a TD‑3 with extra knobs: it’s a completely different instrument.
Get creative with Studio One’s FX Chains.
In Studio One, Layers are all about the wonderful world of managing multiple takes.
Hyperion is a hugely capable synthesizer with a complex modular heart.
Maestro is a six‑channel clockable and programmable LFO with an unusual button‑based front panel.
The Filtamp 1006 is a combined 24dB ladder VCF and VCA module with two mixable audio inputs, three modulation inputs, filter resonance and amplifier gain with linear or exponential control.
The Browser’s presence and impact has swelled to take in all sorts of file‑based functions and probably has a raft of features that you weren’t even aware of.
Audient’s budget‑friendly interfaces get a welcome update and a new look.
Erica’s Black Sequencer combines ambitious functionality with some of the best knobs money can buy.
We take a look at what’s included with PreSonus Sphere.