
FabFilter Pro-Q 4
One of the most influential plug‑ins of our time receives an impressive makeover.
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One of the most influential plug‑ins of our time receives an impressive makeover.
Virtuoso pianist Rogét Chahayed has found a unique niche as a classically trained hip‑hop producer.
Can the improved, AI‑based Mix Assistant make iZotope’s already powerful collection of mixing plug‑ins more useful?
With polyphonic aftertouch, MPE and MIDI 2.0, Korg’s Keystage has a lot to offer.
Live 12’s new Tunings system is your invitation to explore alternative tunings and microtones.
We go beyond the headlines to explore Logic 11’s less obvious new features.
Want to take your valve amp sounds on stage without breaking your back? The Nano Cortex makes capturing and delivering those tones quick and easy.
If you do much work with surround or immersive formats, upmixing and downmixing are a fact of life. With Penteo, good results needn’t cost the Earth.
Play All Day’s debut outing takes a novel approaching to hands‑on hardware control.
Pro Tools has many features aimed at post‑production. Could they help you with music production too?
The Roland P‑6 is a pocket‑sized sampling powerhouse.
Soyuz’s latest pencil mic is as easy on the ear as it is on the eye!
Brothers Sebastian and Daniel Selke and Kyoto‑born Midori Hirano are Berlin‑based producers and artists who have come together to produce a collaborative album called Split Scale.
Are buzzes, hums and hisses ruining your guitar recordings? Here’s how to keep the noise to a minimum.
Yamaha’s FGDP‑50 drum pad is designed explicitly for the digital percussionist.
Steve Hackett rose to fame as guitarist with prog‑rock legends Genesis, but his sonic calling card is a guitar tone he created in 1979 on his album Spectral Mornings.
Paul White delves into the fun world of modelled guitars, amps and cabs, that cannot only make your songwriting and studio sessions more creative and unique.
William Stokes talks to Tony Rolando, the founder, lead designer and co-owner of Make Noise, a modular synth company launched in 2008.
Dave McCracken talks to Kevin Paul about his impressive career as a songwriter and Producer, from his early years at Sarm Studios with Trevor Horn, where he worked with Ian Brown and Depeche Mode.
Cinematic Lights is a new virtual instrument for Studio One Pro 7 that combines heavily processed orchestral string samples with a range of synth and field-recording layers.