
Max For Live
Discover how to control your hardware synths using Max For Live.
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Discover how to control your hardware synths using Max For Live.
Adele’s second album, 21, has broken sales records all around the globe. Mixer Tom Elmhirst and producer Paul Epworth explain how they created its multi‑platinum lead single, ‘Rolling In The Deep’.
Cubase 8 combines powerful tools from Nuendo with new features such as VCA faders and the ability to render audio in place.
The unique musical world of Yann Tiersen was opened up to millions of people by the soundtrack to Amelie. His idiosyncratic working method involves toy instruments, songs built from fragmented ideas, and entire string sections created by recording himself over and over again.
In 1976, in the face of deteriorating personal relationships and massive record company pressure, Fleetwood Mac managed to create a record that would go on to sell 30 million copies.
With so many virtual guitar amps already on the market, can newcomers Scuffham Amps bring something fresh to the party?
Reason can be a simple yet surprisingly sophisticated mastering suite — and not just for audio generated in the Reason environment.
'Somebody That I Used To Know' is a worldwide hit that breaks every rule in the book. Artist Gotye and mix engineer François Tétaz reveal how they made it.
To get the most from Avid's Structure sampler, you need to work with your own sounds. Here's how.
Dr Alex Paterson tells us how the Orb’s cavalier sampling and devil‑may‑care attitude towards copyright took ambient house from the chill‑out room to the top of the charts.
Who'd want to be a writer of manuals? The endless showbiz parties, awards, book-signings and... hang on a minute...
This unique library brings the USA’s top marching brass band to a computer near you.
Conventional notation software often struggles to turn real MIDI performances into usable scores. ScoreCleaner applies artificial intelligence to the problem...
Pioneering work in assistive technology is transforming the lives of people who are unable to play conventional musical instruments.
An expert in acoustic treatment argues that a proper recording studio is much more than a collection of great gear.
In 1974 Billy Swan walked into Chip Young's Young'un Sound studio and, in two takes, recorded a million-selling single that had taken him 20 minutes to write. This is how it was done...
The Anglo-Australian strings library returns with a radical version 2 upgrade.
Steve Greenwell knew he wanted a live feel for Joss Stone’s second album of soul covers, but finding the right mix was more of a challenge.
This month one of our engineers aims to augment the natural beauty of a baroque‑music duo playing in a church.
Now available at a greatly reduced price, Panasonic's video-capable still camera is well worth a look for low-cost HD video production.