SOUND ON SOUND
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Is mixing on a large analogue desk still worth the trouble? For George Seara and Shawn Mendes, it seems to be working out quite well...
The making of Barbra Streisand’s latest hit album, Encore, offers a window into the unique philosophy of hit-making producer and engineer David Reitzas.
Truly an international effort, Lukas Graham’s breakthrough hit ‘7 Years’ was masterminded by a Danish film-sound designer and a Californian mix engineer.
Musically, Rod Stewart’s latest album harks back to ’70s folk-rock, but its writing and production were totally 21st Century.
The art of music production lies in serving the song — and working with James Taylor, Dave O’Donnell felt that modern production trends would hinder his aim of capturing emotive performances.
A combination of technical wizardry and old-school craft helped Bernie Herms and Andy Selby bring Josh Groban’s Broadway album to life.
In the making of Alabama Shakes’ Sound & Color, producer Blake Mills and engineer Shawn Everett had almost unheard–of licence to experiment — and took full advantage.
Kendrick Lamar’s To Pimp A Butterfly is one of the most ambitious hip-hop albums of recent years. Derek Ali was Lamar’s right-hand man during its making.
Producer and engineer Rob Kirwan oversaw Hozier’s commercial breakthrough — by concentrating on the least commercial aspects of his music.
Tom Petty’s first US number one album was mixed almost entirely without hardware — and with only two plug-ins!
When an unknown act such as Sam Smith hits the big time, there's often an experienced producer behind the scenes — like Steve Fitzmaurice...
Engineer and producer Dani Castelar accompanied Paolo Nutini through three years and 11 studios to make his acclaimed new album Caustic Love.
As producer, engineer and mixer, Andy Wallace has done more than anyone to define the sound of modern rock and metal.
With thumbprint data security and track counts in the thousands, the scoring process for sci‑fi movie Divergent was close to science fiction itself!
Two massive hit albums in a year was a pretty good return on 20 days' work for Justin Timberlake, producer Timbaland — and engineer Chris Godbey.
Jamie Cullum's sixth studio album, Momentum, sees the British pianist and singer further expanding his stylistic palette.
Nearly 30 years after they burst onto the scene, Bon Jovi continue to top charts worldwide.
The film of Led Zeppelin’s reunion concert was five years in the making — yet Alan Moulder had only three weeks to mix the entire soundtrack!
The multitracks for Evanescence’s third album were so big that they required two maxed-out Pro Tools rigs to play back!
Feeling that something was missing from their latest album, the Beastie Boys decided it needed remixing — by a “crazy Frenchman”...