SOUND ON SOUND
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Vic Keary's latest design is a compressor that's also a mic preamp and an EQ — but not, apparently, a channel strip!
Thanks to Tronical Systems, your guitar can now tune itself. Is this a valuable tool for committed guitarists, or a crutch for the lazy and tone‑deaf?
The cinematic supremo enlists the best of British in a grand percussive collaboration.
We check out Gem Audio's classy and charismatic interpretation of the recording channel strip.
All the stands in this range are intended to decouple a speaker from the desk or studio furniture on which it sits. Where this model differs is in its size — 17 inches wide by nine inches deep, making it suitable for speakers with a larger footprint.
Create striking new sounds using Reaper's ReaSynth plug-in.
American company Retro Instruments offer this true variable-mu valve compressor in 500-series format.
The latest of many hardware emulations from Universal Audio reproduces a complete API channel strip in your DAW.
Korg already have an enviable track record for making high-quality apps, but in Gadget they've made their most serious step yet towards full music production.
The new version of Audiobus is really going places. All aboard!
The improved AT2020 USB+ adds a headphones output to monitor what you recorded, and its bundled accessories include a conventional stand-mounting swivel clamp, a small tripod desk stand and a 10 foot USB cable.
Need a stereo pair of high-quality omni mics for under £500$600? Look no further!
Tomorrow's pioneering paean to the joys of communal public transport has proved to be a classic of the British psychedelic underground.
Perfect your vocal pitch-correction techniques with Cubase's VariAudio.
Danish mic legends DPA take their considerable mic-designing experience to the stage — with impressive results.
The market for reverb plug-ins is crowded, but Exponential Audio hope there's space for two more high-quality designs...
The 2.1 monitor approach may have its pitfalls, but there are also some very real benefits to be had, especially in small studios.
These compact and affordable monitors, from young US company Fluid Audio, turn in a surprisingly good performance.
Despite recording mainly live, Arcade Fire spent more than a year recording Reflektor. It was up to Korey Richey and Mark Lawson to get the results to tape.