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In recent years, Dublin has become one of Europe's hottest centres for pop production, and Biffco Productions are one of the top hitmaking teams who've made their home there.

Thirty years after Led Zeppelin ended, Robert Plant has reached a second career high. His latest hit album was tracked and mixed by Mike Poole, using a mouth-watering selection of vintage equipment.

Handheld shots can look great, but too much camera shake can give the viewer a headache! We take a look at three budget rigs for keeping shots steady, and find out whether electronic image stabilisation can help.

As someone who's been hugely successful both in his native Britain and his adopted home of the USA, producer Peter Collins has a uniquely international perspective on record production.

Morph The Cat, Donald Fagen's third solo album in 24 years, sees Fagen and engineer Elliott Scheiner continue their quest for the best possible sound quality — which, it seems, comes only from analogue recording.

'Hips Don't Lie', by Shakira and Wyclef Jean, is indisputably the biggest single of the 21st Century so far. Engineer Serge Tsai was the man who brought together many diverse elements to create a colossal hit.

When Grammy-award winning producer Liam Watson met country-folk singer Pete Molinari, they discovered a shared love of '50s country music, and decided to make an album that would hark back to the glory days of Nashville recording.

In the final instalment of this series, Paul White looks at computers, as well as offering some advice on planning a system that allows for future expansion.

Hip-hop's biggest stars have always been American, and their success has tended to overshadow artists from other countries. London-based Russian DJ Vadim, however, is winning increasing recognition for his distinctive, cosmopolitan music. Sam Inglis finds out how he puts together his tracks.