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In recent years, Dublin has become one of Europe's hottest centres for pop production, and Biffco Productions are one of the top hitmaking teams who've made their home there.
We go through the keyhole of another SOS reader, and ask 'who inhabits a studio like this?'
Thirty years after Led Zeppelin ended, Robert Plant has reached a second career high. His latest hit album was tracked and mixed by Mike Poole, using a mouth-watering selection of vintage equipment.
British 'boutique' outboard manufacturers seem to be rather thin on the ground these days, but if this Pultec clone is anything to go by, newcomers Cartec look set to make a big impression.
Handheld shots can look great, but too much camera shake can give the viewer a headache! We take a look at three budget rigs for keeping shots steady, and find out whether electronic image stabilisation can help.
Silver Apples jammed with Jimi Hendrix, counted John Lennon as a fan, and produced extraordinary electronic music — with nothing but a drum kit and a pile of electrical junk.
As someone who's been hugely successful both in his native Britain and his adopted home of the USA, producer Peter Collins has a uniquely international perspective on record production.
John Fields and Paul David Hager have a very modern working relationship — and with the Jonas Brothers, theyve delivered a string of old-fashioned hits.
Morph The Cat, Donald Fagen's third solo album in 24 years, sees Fagen and engineer Elliott Scheiner continue their quest for the best possible sound quality — which, it seems, comes only from analogue recording.
Sade's ice-cool vocals and sophisticated, jazz-tinged instrumentation defined a new kind of soul music for the '80s. Engineer and producer Mike Pela describes the organic recording process that produced one of the singer's most memorable hits from 1985.
'Hips Don't Lie', by Shakira and Wyclef Jean, is indisputably the biggest single of the 21st Century so far. Engineer Serge Tsai was the man who brought together many diverse elements to create a colossal hit.
Bass is the linchpin for so much of today's music, anchoring the other sounds and providing a foundation for the mix as a whole. But at the same time, it can seem maddeningly difficult to pin down and control. Help is at hand...
When Grammy-award winning producer Liam Watson met country-folk singer Pete Molinari, they discovered a shared love of '50s country music, and decided to make an album that would hark back to the glory days of Nashville recording.
Over a 40-year career, Phil Ramone has built up perhaps the most impressive discography of any producer working today — and although he emphasises the importance of traditional engineering and people-management skills, his work is also at the limits of what cutting-edge technology makes possible.
In the final instalment of this series, Paul White looks at computers, as well as offering some advice on planning a system that allows for future expansion.
Multimedia artist Nick Rothwell isn't very old. But he's old enough to remember a time when we didn't need hallucinogenic drugs to have a visual imagination. What's he on?
Hip-hop's biggest stars have always been American, and their success has tended to overshadow artists from other countries. London-based Russian DJ Vadim, however, is winning increasing recognition for his distinctive, cosmopolitan music. Sam Inglis finds out how he puts together his tracks.
In 2004 it looked like game over for Waldorf, but the German company are back, with a hardware synth that more than lives up to their former reputation...
If you don't think the sampler can be a musical instrument, then you haven't been listening to the music of Amon Tobin!