SOUND ON SOUND
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The Roland Studio Capture offers a very generous amount of analogue I/O and an unusually high level of digital control.
Audio files to accompany the article.
In this month's Session Notes column, we focus on a recent overdubbing session, which demonstrated the benefits of the multi-miking approach particularly well.
Audio files to accompany the article.
Create new and unusual effects with Sonar X2's Breverb Plug-in.
When it comes down to being paid for your creativity, how much is enough?
The uniquely complex, spacious swirl of a real, mechanical Leslie rotary-speaker cabinet sound in a pedal!
This month Mike listens hard to Ellie Goulding, Pink, Sam And The Womp, Katy Perry and the all time classic 'Hotel California' by the Eagles.
A collection of over 1800 interface noises for sound designers.
Three grand pianos jostle for supremacy in VI Labs' deep-sampled, secrecy-shrouded True Keys Pianos package.
Always moving with the times, Steinberg's Wavelab now includes comprehensive loudness metering, along with new plug-ins and an improved interface.
When you're working with bass drums, it pays to use a mic dedicated to the task. Here's our selection of current models, with links to the SOS review where available.
The BBC's flagship music programme is broadcast around the world. We go behind the scenes to discover the secrets of its complex sound production.
Candy Bomber opened its doors in 2007, shortly before the last aeroplane departed from Berlin's historic — and now closed — Tempelhof airport.
Compression is an often under-rated weapon in the electric guitarist's arsenal.
The standout track from the Beastie Boys' smash hit Ill Communication album nearly didn't make it onto the record at all — and when it did, it was the eight-track ADAT mix that made the final cut.
Under the guidance of Rick Rubin, Black Sabbath returned to their roots. Mixed by Andrew Scheps, the resulting album topped charts worldwide.
