SOUND ON SOUND
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Arturia have designed the AudioFuse 16Rig specifically to cater for electronic musicians. What does it offer that other interfaces don’t?
There’s something for everyone in beyerdynamic’s classic M Series microphone range.
Universal Audio’s Sphere microphone modelling system is well known for emulating classic mics — but that’s not all it does.
Austrian Audio’s MiCreator is more than just a USB mic. It’s an entire family of mics!
We visit the German factory where beyerdynamic’s classic microphones are still handmade in exactly the way they always have been.
There are now some impressive offline source separation tools — but this one works in real time!
Shure’s classic mic celebrates a milestone birthday with the addition of a built‑in preamp. We test the new SM7dB and explore its fascinating history.
Three years ago, HEDD Audio developed the world’s first AMT‑based headphones — and before anyone else has had time to catch up, they’ve now replaced them with the second generation.
I want to buy my main vocal microphone. I want a balanced microphone, with a smooth top end to be used with a deep baritone male voice.
In this Sound On Sound exclusive preview, we lift the lid on SEPIA by Karno: a radical new outboard format for the digital age.
If more is better, then an IEM with no fewer than 21 drivers must be the best ever, right?
Embody’s mission to make immersive mixing on headphones a practical proposition moves forward with the addition of a second virtual studio.
Intended for both speech and music, Audix’s latest microphone demands to be seen as well as heard!
With the fourth generation of their Scarlett range, Focusrite continue to bring features that were once exclusively ‘professional’ to everyone.
After rising through the vibrant New York studio scene of the ’90s, Ann Mincieli developed a 25‑year partnership with the biggest R&B star of the 21st Century, and now has her own state‑of‑the‑art Manhattan studio.
Solid State Logic have added some new strings to their G‑series compressor’s bow.
Neumann have joined forces with Merging to create an interface that’s both excellent and accessible.
We visited Alan in his state-of-the-art Dolby Atmos mix room at Hans Zimmer's Remote Control Productions studio complex in Santa Monica, California, to hear his extraordinary life story and find out what's involved in mixing a blockbuster movie score.
The monitor controller is the hub of the 21st Century studio, and if you have the budget, Lake People’s MC100 has all the I/O you’ll ever need.
With the KD1 saturation effect, McDSP show that their analogue plug‑in system can deliver more than just dynamics processing.