SOUND ON SOUND
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SPL's new surround-ready stereo compressor offers clever programme-adaptive compression, as well as decompression and tube-saturation functions.
The Phoenix all-valve compressor is a high flyer when it comes to quality and price. Will it help Thermionic Culture feather their nest?
JoeMeek combine the old and the new in their opto-electronic analogue compressor with 24-bit digital I/O and M&S signal path. Paul White tries it out.
Is it really possible to produce a worthwhile stereo compressor which sells at under £200? Paul White finds out.
TL Audio have gained an enviable reputation for high-quality processors. Hugh Robjohns takes a look at the latest addition to their Classic range.
Paul White offers a little practical advice on the application of signal processing during recording and mixing.
Paul White finds out about compression by numbers.
Paul White revs up his valves and zooms off to see the big Squeeze.
All the warmth of valve circuitry, and it's shiny on every surface too. Paul White tries out a hot piece of kit with tubes that groove.
Paul White studio tests the Crimson C3021 to see how favourably it compares with its indigo counterparts.
With so many compressors already on the market, does this newcomer from Phonic deserve a look in? After balancing performance against price, Paul White thinks it's in with a chance.
The original Herchild impressed us hugely, and this new, alternative version costs a fraction of the price — can it really deliver a similar sound and performance?
What if you could access the sound and controllability of a range of the best-known classic analogue compressors and EQs, from a single rackmount box, in the digital domain? Two advanced processors from Sintefex aim to offer just this ability.
AudioScape’s take on the classic RCA valve compressor is much more than just a clone...
Cranborne say their Brick Lane is the fastest compressor in the West — but it’s also capable of modelling the characteristics of classic opto, FET and valve units, and much more.