
Bill Szymczyk
From unlikely beginnings as a naval SONAR operator with no musical training, Bill Szymczyk became a legendary producer and engineer whose work with The Eagles would define the hi-fi sound of '70s rock.
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From unlikely beginnings as a naval SONAR operator with no musical training, Bill Szymczyk became a legendary producer and engineer whose work with The Eagles would define the hi-fi sound of '70s rock.
In this month's column, we give you the low-down on the wealth of new features coming your way in the version 7.3 updates to Pro Tools TDM and LE.
With 'Heroes', David Bowie pulled off the rare feat of having a major hit with a highly experimental piece of art-rock, which featured among other highlights live synth treatments from Brian Eno, pitched feedback from guitarist Robert Fripp, and a lead vocal with level-triggered ambience.
So, you've made it from dogsbody to tea boy, through tape op and Assistant Engineer... In the last part of this series, David Mellor explains the roles and responsibilities of the recording engineer, and what you ought to do if you like to make engineering a life-long career.
The JS30 forsakes the familiar rackmount sampler format for desktop presentation, and aims for simplicity and immediacy of operation. Derek Johnson checks it out.
Martin Russ gets his analogue teeth into the Marion Systems MSR2 mainframe and ASM analogue synth module.
Belgian company Lassence are seeking to gain recognition as a small modular synth manufacturer with their new patchable µVentury II system. But there's plenty of competition in the homegrown analogue market these days. Does the µVentury II have what it takes?
Sue Sillitoe talks to one of the most influential British record producers of the '90s, Stephen Street — the man behind a string of hit albums for the Smiths, Blur, The Cranberries, Catatonia, Sleeper, Shed Seven and many more.
Continuing their tradition of themed rackmount modules, Emu have unleashed a 128-voice virtual orchestra in a box. A virtuoso endeavour or virtual insanity?
Last month, Paul Wiffen explained how to get MIDI into and out of your new-style Macintosh. This month, he turns his attention to the tougher problem of audio...
Nick Magnus gets his hands on an instrument which is claimed to provide the best reproduction yet of the feel — and sound — of an acoustic piano.
The world is full of manufactured pop bands, but the innovation of the TV show Popstars is to turn the manufacturing process itself into entertainment. Sam Inglis talks to the producers behind the resulting smash hit single.
Effectively a drum machine in plug-in form, Steinberg's new LM4 offers the seamless integration with Cubase that is the boon of all VST instruments, as well as claiming far better timing than any MIDI device. Martin Walker pounds the PC beat, while Paul Ward delivers the Mac perspective.
The keyboard instruments created by American manufacturer RMI may be deeply obscure now, but without them, '70s progressive rock could have a very different sonic signature.
When Steely Dan ended a 20-year hiatus with 2000's Two Against Nature, they took full advantage of today's digital recording tools. For their new album Everything Must Go, however, they've returned to analogue tape and live band recording. Paul Tingen reports...
This month, SOS meets a very unique music-maker.
While the fame and fortune of pop stars is frequently short-lived, session musicians can carve out a career lasting many years, making a living through sheer ability and professionalism. Big George Webley goes behind the scenes....
The latest version of Cakewalk's flagship sequencer brings it into the world of surround sound, makes it easy to work with folder tracks and multiple takes, and adds one of the most comprehensive Freeze functions available on any DAW.
The latest multitracker from Zoom is their most sophisticated yet, but can it see off its rivals in what is an extremely competitive marketplace?